À§ÊÞ -[DESIGN]
来源: BlogBus 原始链接: http://www.blogbus.com:80/blogbus/blog/index.php?blogid=7178 存档链接: https://web.archive.org/web/20041204151629id_/http://www.blogbus.com:80/blogbus/blog/index.php?blogid=7178
/ ÐÐ×ß³ÇÊÐ // ¶úÐÐÌìÑÄ // ±ß×߱߿´ // С×ä¹ýºÓ // DESIGN / : [1] [2] [3] [4] [5] [6] 2004-11-17 15:45 À§ÊÞ -[DESIGN] Le Corbusier˵£º¡¸ÄãÒÔʯͷ¡¢Ä¾²ÄºÍ»ìÄýÍÁ£¬Öþ½¨·¿Îݺ͌mµî£¬Õâ¾ÍÊǽ¨Ô죬 ¹wÖÐÏÔʾ³öÇÉÃîµÄÐÄ˼¡£µ«ò‡È»Ö®¼ä£¬ÄãµÄ½¨Ôì´¥¶¯ÁËÎÒµÄÐÄÁ飬 Ô츣ÓÚÎÒ£¬Ê¹ÎÒ¿ìÀÖ£¬ÎÒÔÞ̾µØÕf:¡°ÕâÕæÊÇÃÀ¡£¡±¡¹ ´ÓÉϸöÊÀ¼ÍÄ©¿ªÊ¼£¬ÖйúµÄ½¨ÖþʦÃÇ¿ªÊ¼ÏÝÈëÒ»³¡¾çÁһζ¯µÄÞÏÞξ³µØ£¬Ò»±ßΪÖйúÊÇÈ«ÊÀ½ç×îÅÓ´óµÄ¹¤µØÕâÑùµÄÄ£ºý¶Ï¾ä²»ÖªµÀ¸ÃÐÀϲ»¹ÊǸÃÓôÃÆ£¬ÁíÒ»±ßÓÖΪһ´Î´ÎÓëÃÎÖеÄÀíÏë¼ÒÔ°²ÁÉí¶ø¹ý¶øÏԵò»ÖªËù´ë¡£ÔÚÒµÖ÷ÓëÕþ¸®²¿ÃŵÄË«ÖØƤ±ÞÏ£¬ÎÒÃǹ¶ÇÒµØÌÖµÃһ˿ÐÄ°²ÀíµÃ£¬ÔÚÒ»ÕÅÕÅÁ÷Ë®Ïßϲú³öµÄͼֽÉϸÇÂúºìÕ£¬¾ÆÈâêûÀÍ£¬È»ºó»Ø¼Ò£¬ÎÂÈáµØ˯ȥ£¬¶àÊýʱºò£¬Ò»Ò¹ÎÞÃΡ£ ÅóÓÑÒòΪ²ÎÓëÁËOMAµÄCCTVдóÂ¥ÏîÄ¿£¬ÓÐÐÒÔ¶¸°ºÉÀ¼£¬µ½¿â¹þ˹µÄÊÂÎñËùÌåÑéÁËÒ»·¬¡£»ØÀ´ºóËý¶ÔÎÒ˵£¬Ëý¿ªÊ¼¾õµÃÃÔ㣬¶ÔÓÚÔÚÖйú×÷ΪһÃû½¨Öþʦ¼ÌÐøÉú´æÏÂȥûÓе£ÐÄ£¬ËýÃÔãµÄÊÇ¿ªÊ¼¾õµÃÕÒ²»µ½·½Ïò¡£»òÕßÊÇÅ·ÖÞµÄÕâ¶Î¾Àú£¬ÈÃËý¿´µ½²¢ÖØÐÂÌåÑéÁ˵±³õѧԺʱ´úµÄÈÈÇ飬»Øµ½ÏÖʵ×Ô¼ºµÄÉú»îÖкó£¬Ò»Çж¼ÏÔµÃÈç´ËµØ²»Í¬ÁË¡£ ÈκÎÒ»¼þÊ£¬µ±Äã·¢ÏÖÉí±ßÓкܶàͬÀàµÄʱºò£¬Äã²»»á¾õµ½ÓжàÉÙÒìÑù£¬Ôã¸âµÄÊÇÒ»µ©ÄãÓÐÐÒ½Ó´¥µ½ÁíÒ»ÖÖÈÃÄã¸ü¼ÓÏòÍùµÄ·½Ê½ÒÔºó£¬Äã¾Í»á¿ªÊ¼²»ÖªËù´ëÁË£¬ÎÒÏëÅóÓѵÄÇé¿ö´óµÖÒ²ÀàËÆ°É¡£¼¸¸öÔºó£¬ÅóÓÑ´ÇÈ¥ÁËÈÃͬÐÐÏÛĽµÄÄǼҹúÄÚÊ×ÇüÒ»Ö¸µÄÉè¼ÆÔºµÄ¹¤×÷£¬È¥ÏòδÃ÷¡£ ÎÒÖÁ½ñÈÔÈ»ÇåÎúµØ¼ÇµÃµÚÒ»´Î¶Áµ½ÕæÑÔ×Ú±¾¸£ËÂË®ÓùÌÃʱºòµÄÕ𺳣¬¸¡Éú°ëÄ»£¬Æ®Æ¼Ò»³Ø£¬ÔÀ´½¨ÖþÒ²ÊÇ¿ÉÒÔÈç´ËÈáÈíµÄ¡£ÇåË®»ìÄýÍÁÊ«ÈË°²ÌÙ¶ÔÓÚ½¨ÖþËùÇã×¢µÄÇé¸ÐÔÚÄÇЩ¹âÓ°±³ºóÈôÒþÈôÏֵġ°³¡¡±ÖÐÈÃËùÓеÄÕùÂÛ¶¼±äµÃ²»ÔÙÖØÒª£¬ÖØÒªµÄÊÇËûȷȷʵʵµØÈÃÎҸж¯ÁË¡£ ÖйúµÄ½¨Öþ²»ÂÛÊÇÀíÂÛ»¹ÊÇʵ¼ù£¬ÀúÀ´¶¼Î¬³Ö×ÅÒ»ÖÖ±íÃæµÄ·±ÈÙ£¬Ì¨ÃæÉÏÓÀÔ¶¶¼ÊÇÐÀÐÀÏòÈÙÒ»ÅÉÎÞ±ÈÈÈÄֵľ°Ïó¡£·¿ªABBSµÄÈκÎÒ»¸öÒ³ÃæÄ㶼¿ÉÒÔ¼ûµ½ÎÞÊý¼¤°º¿¶¿®µÄÎÄ×Ö£¬Ö¸µã½É½Ò²²»Íü¼¤Àø±Ë´Ë£¬ÕâÊǼ«ºÃµÄÊÂÇé¡£µ«ÊÇÓÖÓжàÉÙÈËÔṲ́³öÎåÄêѧԺÉúÑÄÒÔºó»¹»áÕæʵ¶øÓÖÑÏËàµØÎʹý×Ô¼º£¬¶Ô½¨Öþ¶ÔÉè¼ÆµÄÄǷݳÁºñÇé¸ÐÊÇ·ñÕæʵµØÔÚÒÔºóµÄËêÔÂÖÐÄܹ»ÑÓÐø£¿ ÍâÒòÄÚÒòµÄ½»Ìæ¼å°¾£¬Ê¹µÃÎÒÃÇÔÚÕâÌõ·ÉÏÔ½×ßÔ½¼èÄÑ£¬Ô½À´Ô½¿ìµÄ¿ª·¢ºÍ¸üÐÂËٶȣ¬ÈÃÎÒÃǵÄÊÖºÍÄÔÔ½±äÔ½¿ìÒ»ÈçħÊõʦÎèµÃ²ÓÀùâÏʵÄË«ÊÖ£¬¶øÐÄÈ´ÓúÏÔƣ̬¡£ÎÒÃÇ¿ªÊ¼±äµÃ²»ÔÙÄÇô¼Æ½Ï£¬¿ªÊ¼²»ÔÙ¸ú×ܹ¤¾ÝÀíÁ¦Õù£¬¿ªÊ¼Î¨ÒµÖ÷ÂíÊ×ÊÇÕ°£¬¿ªÊ¼ÂôÁ¦µØÑо¿Õþ¸®²¿ÃÅijλ²¢²»ÄÇôÄÚÐеÄÈËÎïµÄij¾ä»°£¬¿ªÊ¼ÔÚ°¾ÍêÒ»¸öͨÏüºó²»ÔÙ¶Ô×Åͼֽà©à©²»ÐÝ¡¡ È»ºóÎÒÃÇÆ£±¹ÁË£¬Í×ÐÁË£¬ÎÒÃDz»ÔÙÕæ³ÏµØÎÊ×Ô¼º£ºÎÒ¶ÔËûµÄ°®»¹Ê£¶àÉÙ£¿ ENO ·¢±íÓÚ 15:45 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(1) | ÒýÓÃTrackback(0) | ±à¼ 2004-11-15 00:08 What a Wonderful World -[¶úÐÐÌìÑÄ] Title: A Wonderful World Artist: Tony Bennett & k.d. lang Label: Sony Released: November 5, 2002 Àñ°ÝÌ죬ÒõÓêÃàÃ࣬ÊʺÏ˯¾õµÄÌìÆø£¬ÔÚ´²ÉÏ˯µ½×ÔÈ»ÐÑ¡£ ¹¤×÷µÄ·³ÄÕ¿ÉÒÔÍÆ¿ª£¬´ÓÀ´Ã»Ð´¹ýµÄ±¨¸æÒ»±ß´ô×ÅÈ¥£¬ÈÕ×Ӿ͸ÃÊÇÕâÑùÓÃÀ´ÏíÊܵġ£ ´ÓÃ÷ÌìÆð£¬×öÒ»¸öÐÒ¸£µÄÈË ¡¡Î¹Âí,Åü²ñ,ÖÜÓÎÊÀ½ç ¡¡´ÓÃ÷ÌìÆð,¹ØÐÄÁ¸Ê³ºÍÊß²Ë ¡¡ÎÒÓÐÒ»Ëù·¿×Ó,Ã泯´óº£,´ºÅ¯»¨¿ª Æ𴲡¢µçÊÓ¡¢ÉÏÍø¡¢»ð¹ø...... µ±È»£¬»¹ÓÐÒôÀÖ£¡ K.D.LANGÒ»Ö±ÊÇÎÒÐÀÉͺÍϲ°®µÄ¸èÊÖ£¬´Ó´óѧʱ´ú¿ªÊ¼³ÖÐøµ½ÏÖÔÚ¡£ÕâλɤÒô»ëÈó£¬ÎºñµÄ¼ÓÄôóÅ®¸èÊÖ½«Ïç´åÓë30Äê´ú¾ôÊ¿·çÍêÃÀµØÈÚºÏÔÚÒ»Æð£¬ÓÚ1992Äêƾ¡¶£É£î£ç£å£î£õ£å¡·Ò»¾Ù»ñµÃµ±ÄêµÄ¸ñÀ³ÃÀ×î¼ÑÅ®¸èÊÖ£¬Ò²ÔÚµ±Äê³ÉΪÀúÊ·ÉϵÚһλ¹«¿ª×Ô¼ºÍ¬ÐÔÁµÐÔÏòµÄÅ®¸èÊÖ¡£ËýÔÚÎÒµÄÁíÒ»ÕųªÆ¬¡¶The Unplugged Collection, Volume One, MTV¡·ÖÐÄÇÊס¶Barefoot¡·ÒÔËýÍñת¡¢ÓÇÓô»ëÈç³à×ãÐÐ×ßÓÚÑ©ºó»Æ»èµÄ³ªÇ»ÉîÉî´ò¶¯ÁËÎÒ¡£ ÕâÕÅ¡¶A Wonderful World¡·×¨¼ÊÇËýÓëÀÖ̳³£ÇàÊ÷Tony BennettºÏ×÷£¬ÖسªÁ˾ôÊ¿´óʦLouis ArmstrongµÄ¾µäÇúÄ¿£¬²¢¶áµÃµÚ46½ì¸ñÀ³ÃÀ×î¼Ñ´«Í³Á÷ÐÐÑݳª×¨¼(Best Traditional Pop Vocal Album )¡£ ENO ·¢±íÓÚ 00:08 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(0) | ÒýÓÃTrackback(0) | ±à¼ 2004-11-10 15:32 ¸Ð¶¯µÄDZ̨´Ê -[ÐÐ×ß³ÇÊÐ] ´°ÍâÑô¹â²ÓÀã¬ÎÒÕý±»¹ØÔڰ칫ÊÒ½ÇÂ䣬Ӧ¶ÔÕâ¸öÎÞËùÊÂʵÄÏÂÎç¡£ Êó±êÔÚÎÞÊý¸öÍøÒ³¼äåÒѲ£¬ÈçͬÂäÈë´óº£µÄÒþÐÎ̽ͷ£¬ÎÒ¿ªÊ¼¿ú̽£¬Ã¿Ò»¸öÑöÌÉ»òòéËõÔÚÕâƬÍôÑóÖеĻêÆÇ¡£ ¿´²»¶®£¬¿ªÊ¼Í·ÌÛ£¬Éî°ÂµÄ×ÖÑÛһƬƬÆ̳£¬ÎÒ¿ªÊ¼¾õµÃÉíÎÞƬ²¼¡£¸Ð¶¯µÄ£¬ËƺõÖ»ÓÐÄÇЩ°Ñ×Ô¼ºÄǵ㱰΢Éú»î˺³¶³ÉËéƬչʾ¸øÎÒµÄÎÄ×Ö±³ºóµÄ¹Â¶À¡£ Ò»Íò¸ö×ÖÇ£³¶²»³öµÄ·ßÊÀ¼µË׵ŶÀ¡£ дÊÄѸ³£¬¾øÍû˵³î£¬±ð´¦µÄ±¯ÉË£¬ÎÒÖ»ÊÇ¿´¿Í£¡ ENO ·¢±íÓÚ 15:32 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(2) | ÒýÓÃTrackback(0) | ±à¼ 2004-10-31 23:13 ¸¸Ç× -[ÐÐ×ß³ÇÊÐ] ÔçÉϸ¸Ç×µÄÒ»¸öµç»°°ÑÎÒ´Ó˯ÃÎÖл½ÐѵÄʱºò£¬ÎÒ»¹´¦ÔÚ°ëÃÔºý״̬¡£µç»°ÄÇÍ·¸¸Ç×ÓûÑÔÓÖÖ¹£¬Ö§Ö§ÎáÎáµØ˵ÁË°ëÌìÎÒ²Å×ÜËãÇåÐѹýÀ´¡£ µ±¸¸Ç×»¨Á˺ü¸·ÖÖÓµÄʱ¼äÖÕÓÚ˵ÍêµÄʱºò£¬ÎÒ²ÅÃ÷°×¹ýÀ´£¬¸¸Ç׳öÓÚºÃÐÄ°ï棬ȴ²»ÏëÓöµ½Ò»°ïÆ×Ó£¬ÆÈ¥ÁËËûÐÁÐÁ¿à¿à½Ú¼óÏÂÀ´µÄ»ýÐ¼ÒÀïûǮÁË£¬ÈÃÎҼĵãÇ®¸øËû£¬ÎÒÎÊËûÒª¶àÉÙ£¬¸¸Ç×ȴ˵ÁË°ëÌìʼÖÕ²»ºÃÒâ˼¿ª¿Ú...... ¹Òµôµç»°µÄʱºò£¬ÎÒ²ÅÃÍÈ»¾õ³öÁ˸¸Ç×µÄÀÏÂõ¡£Õâ¸ö´ÓСµ½´ó¶¼ÊÇÓŵÈÉú¡¢Ñ§Éú»áÖ÷ϯµÄÄÐÈË£¬Ôø¾ÔÚÎÒ10¶àÄêµÄÉúÃüÖж¼ÊÇÎÒ¶ÀÒ»ÎÞ¶þµÄ³ç°Ý¶ÔÏóµÄÄÐÈË£¬È´ÔÚÒ»¸öÃ÷ÏÔµÄƾÖÃæÇ°ÔÔÁ˸ú¶·£¬¶ø´ËÇ°£¬¸¸Ç׵ĴÏÃ÷ÓëÖÇ»ÛÔÚÎÒÐÄÀïÒ»Ö±¶¼ÊǼᶨ²»ÒƵÄÕæÀí¡£ Ò»Ò¹Ö®¼äÎҲŲì¾õµ½ËêÔÂÔÚ¸¸Ç×ÉíÉÏÁôϵIJпáºÛ¼££¬Ò»Ò¹Ö®¼äÎÒ²ÅÃÍÈ»ÐÑÎòµ½×Ô¼ºÃ¿¸öÔ¶¼Íü¼Ç´ðÓ¦¹ý¸¸Ç×Òª´òµÄµç»°£¬Ò²ÊÇÕâÒ»Ò¹Ö®¼ä£¬ÎÒ²ÅÝëÈ»ÉýÆðÁËÒ»ÖÖÇ°ËùδÓеı¯°§¡£¸¸Ç×ÀÏÁË£¬¶øÎÒÈ´ÎÞ·¨¸øËû¶ùËïÈÆÏ¥µÄТµÀ¡£ ³¤Õâ÷á´ó£¬ÎÒÓ븸Ç×Ö»ÓйýÁ½´ÎÉîÈëµÄ½»Ì¸£¬µÚÒ»´ÎÊǸ¸Ç×ÔÚij¸öÔÂÔ²µÄÍíÉÏ£¬Íû×ÅÎÒÃǼ¸ÐÖÃÃ˵ÆðÁ˼Ò×åµÄÀúÊ·£¬´ÓÄÌÄÌÂôÁ¸¹©Ëû¶ÁÊé˵µ½Ä¸Ç×¼Þ¸øËûÒ»Ö±µ½Ä¸Ç×È¥ÊÀºóÀ³¶ÎÒÃǵÄÐÁËᣬ¶øÄǸöÔÂÃ÷·çÇåµÄÒ¹ÍíÎÒ·ÖÃ÷µØ¿´¼ûÁ˸¸Ç×ÑÛÀïÄÇÁ½È¦¼«Á¦ÏëÒªÑÚÊεÄÀáË®¡£ µÚ¶þ´ÎÊÇÎÒ´óѧһÄ꼶Ðн«½áÊøµÄʱºò£¬Ò»¹ÉÄÑÒÔÒÖÖƵÄÑáѧÇéÐ÷Ò»Ö±ËËÓÁ×Å×Ô¼ºÏëÒªÍËѧµÄÄîÍ·²»¶ÏÅòÕÍ£¬¸¸Ç×ÔÚÊÕµ½ÎÒµÄÐŵĵ±ÌìÏÂÎç¸Ïµ½Ñ§Ð££¬Ã»ÓÐÂîÎÒҲûÓдòÎÒ£¬Åã×ÅÎÒÔÚУ԰ÀïÉ¢²½£¬×îºóÔÚÕдýËùÓëÎÒ½øÐÐÁËÒ»´ÎÓïÖØÐij¤µÄ³¤Ì¸£¬ÎÒ²ÅÖªµÀÔÚËûÐÄÀï¶ÔÓÚÎÒËù¼ÄÓèµÄÆÚÍû£¬²»½ö½öÊÇËûÒ»¸öÈ˵ģ¬¸üÊǽþ͸Á˼ÒÀïËùÓÐÈ˵Ľ¾°Á£¬ÎÒ²ÅÖªµÀΪÁË»º½â¼ÒÀïµÄƶÀ§£¬¸¸Ç×Ôø¾·ÅÆúÁË×Ô¼ºµÚÒ»Ãû¿¼Èë¸ßÖеÄÃû¶î¶øÓë±ðÈË»»»ØÁËÒ»¸öÖÐרµÄѧÀú£¬ÎÒ²ÅÖªµÀĸÇ×µÄÈ¥ÊÀÈôó½ã×ßÁËÓ븸Ç×ÏàͬµÄ·£¬ÎÒ²ÅÖªµÀËûÃÇËù×÷µÄËùÓÐÕâÒ»Çж¼ÊÇΪÁËÎҵĽñÌ죬ΪÁËÎÒÕâ¸ö¼ÒÀïΨһµÄÄк¢×ÓÄܹ»³öÈËÍ·µØ...... ¸¸Ç×´ÓÀ´²»¿Ï½ÓÊÜ×ÓÅ®¸øËûµÄÇ®£¬Ò²¶ÏÈ»¾Ü¾øÁËÎÒ´òËãΪËûÔÚÀϼÒÂòÌ×·¿×ÓµÄÄîÍ·£¬Ëû×Ü˵ÎÒÃDZÈËû¸üÐèÒªÓÃÇ®£¬ËûÖ»Òª¹»ÓþͺÃÁË¡£ËäÈ»Èç´Ë£¬½ñÌìÎÒÈ´»¹ÊÇÕæÕæʵʵµØµÚÒ»´Î¾õµ½ÁË×Ô¼ºÃæ¶Ô¸¸Ç×ʱµÄÐßÀ¢£¬Ò»Íò¿éǮֻÊÇÎÒ²»µ½Ò»¸öÔµÄнˮ£¬¶ø¶ÔÓÚ¸¸Ç×À´Ëµ£¬ÕâÈ´ÊÇËû½Ú¼óÒ»ÉúËùÓеĻýÐî¡£ ÉúƽµÚÒ»´ÎÎÒÔÚÒ»ÌìÖ®ÄÚ¸ú¸¸Ç×´òÁËÈý´Îµç»°£¬ÒòΪ¸¸Ç×˵ËûÐÄÀï²»ºÃÊÜ£¬ÒòΪ¸¸Ç×Ôڵ绰Àï¶ÔÎÒÓûÑÔÓÖÖ¹µÄÓïÆø£¬ÒòΪ¸¸Ç×˵ËûÏë°Ñ´æÕÛÉÏʧȥµÄÄÇÒ»Íò¿éÇ®²¹Æ룬ËûÐÄÀï²Å¾õµÃºÃ¹ýÒ»µãµÄʱºò£¬ÎÒÐÄÀïµÄÀáË®...... ENO ·¢±íÓÚ 23:13 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(8) | ÒýÓÃTrackback(0) | ±à¼ 2004-10-30 00:48 ÐÐ×ߵļÇÒä -[ÐÐ×ß³ÇÊÐ] ÕâÒ»Äê¶àÀ´ËãËãҲȥÁ˲»Éٵط½£¬¸Õ´ÓéªÏª½»ØÀ´µÄʱºòÏëÆðÀ´°ÑÕâЩÐÐ×ߵļÇÒä·Åµ½×Ô¼ºµÄÍøÕ¾ÉÏ£¬ÓÚÊÇÎÊÅóÓÑ´òÌýµ½Õâ¸öFLASHÏñ²áµÄµØÖ·£¬ÏÂÀ´×Ô¼º¸Ä¶¯Ò»·¬¾ÍËã×÷³ÉÁË×Ô¼ºµÄÏñ²á£¬Ôڴ˷dz£¸ÐлԳÌÐòµÄ×÷Õߣ¬ËäÈ»×Ô¼º¶ÔÓÚFLASHºÜÉúÊ裬ÖÆ×÷µÄ¹ý³ÌÖÐÈ´Ò²»½ÆðÁËÂù¶à»Øζ¸ú¸Ð¿®¡£ ˼Ð÷Ëæ×ÅÕâÒ»ÕÅÕÅ·½´ç¼äµÄͼÏñÓÎÒƵÄʱºò£¬¶àÉÙҲʰÆðÁ˺ܶ൱ʱµÄһĻĻ»¶ÀÖ±¯É˵ÄÇé¾°£¬²»½ö¸Ð¿®ÆðËêÔµÄħÁ¦£¬µ±ËûÒÔĬÎÞÉùÏ¢µÄËÙ¶ÈÇ°ÒƵÄʱºò£¬ÎÒÊÇ·ñÊØסÁË×Ô¼ºÕâ·½´çÌìµØ£¿ ÊÇ·ñ Ò»Çж¼»¹Èçͬµ±³õÒ»°ãµÄ ÎÂů£¿ ENO ·¢±íÓÚ 00:48 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(2) | ÒýÓÃTrackback(0) | ±à¼ 2004-10-26 21:17 Ä°ÉÏÌïÔ°£éªÏª½ -[ÐÐ×ß³ÇÊÐ] ¡° ÊÀ½çÓÐÁ½²à£¬Ò»²àÊdzÇÊУ¬ÁíÒ»²àÊÇÏç´å ¡± ÎÒ½«×Ô¼ºËºÁѳÉÁ½°ê£¬Ò»°êÆ£±¹ÖÜÔÓ£¬ÁíÒ»°ê³Á³ÁÓû˯ ...... 18 ºÅÁ賿Îåµã£¬ÎÒ´ÓͬÀ¥×ß³öÀ´£¬ÌìÒѽüÆÆÏþ¡£ÖÕÓÚжµô½ôÕÅ·±¸´µÄ¹¤×÷ºó£¬²ÅÃÍÈ»±»³Á˯µÄÁíÒ»°ê½ÐÐÑ£¬³¤ÊæÍêÒ»¿ÚÆø£¬ÎÒ¾ö¶¨³öÃÅÈ¥ÂÃÐС£ ÉÏÍø¡¢·Ìû×Ó¡¢²é·É»ú»ð³µÆû³µ¡¢¶¨¾Æµê£¬»¨ 10 ·ÖÖÓÕûÀíÐÐ×°£¬µÚ¶þÌìÍíÉÏ 20 £º 20 ÖÕÓÚÈçԸ̤ÉÏÈ¥ÎÂÖݵÄÒ¹Ðпͳµ¡£ ¶ÔÓÚéªÏª½ÎÒÊÇÒ»ÎÞËùÖªµÄ£¬ÔçÇ°´ÖÂÔ·¿´¹ý ³ÂÖ¾»ª ÏÈÉúµÄ¡¶éªÏª½ÖÐÓιŴåÂä¡·£¬Ò²Ôø¾ÔÚ¡¶ÄÏ·½ÖÜÄ©¡·¶Áµ½¹ýһƪ ¹ØÓÚÀÏ ÏÈÉúµÄÎÄÕ£¬Ëû˵£ºµ½éªÏª½¹Å´åÂäÈ¥×ß×ß°É£¬´ÓÎIJý¸ó×ßµ½ÎÄ·åËþ£¬ÔÙ¿´¿´ÃÅ´°¸ôÉÈÉÏÄÇЩÁýÕÖ×ÅÅ£½Ç¹ÒÊéµÄСµñÊΣ¬Äã²ÅÄÜÕæÕý¶®µÃʲôÊÇ ¡° ³¯ÎªÌïÉáÀÉ£¬ÄºµÇÌì×ÓÌà ¡± µÄ¸û¶ÁÖ®ÃΡ£ ÎÒ²»Çå³þ¸û¶ÁÖ®ÃÎÓÐûÓÐÔÚ×Ô¼ºµÄÉúÃüÖÐÁôϹýʲôºÛ¼££¬µ«·²ÎÒÕâ¸öÄêÁä²ãµÄÈËÈ´¶¼Óйý¹ØÓÚÁ¢Ö¾¶ÁÊé³É²ÄµÄ¼ÇÒä ¡¡ ÊýÊ®Äê¹ýÈ¥£¬¸û¶ÁÉç»áÁôϵÄÃÀÀöÉñ»°ÔÚ½ñÌìÒÀ¾ÉÒÔËû¶ÀÌصķ½Ê½Ó°Ïì×ÅÖйúÉç»áÀïÎÞÊýÕýÔÚ×Â׳³É³¤×ŵÄÉÙÄêÃÇ£¬¶ø¶ÔÓÚÎÒÀ´Ëµ£¬ÕâЩ¼ÇÒ俪ʼÂýÂýµØÄ£ºýԶȥ£¬Éú»îµÄѹÁ¦ÈÃÎÒ¿ªÊ¼ÖØÐÂÉóÊÓ¹ýÈ¥µÄ±¯»¶£¬¶ø½ñÌ죬ÎÒÖ»ÊǸöÆóͼ»º½âÆ£±¹¶øÀ´µ½ÕâÀïµÄ¹ý¿Í¡£ ÇàɽÂÌË®£¬Ä°ÉÏÈ˼ҵľ°ÏóÔÚÕâÀïÆäʵ²¢²»³£¼û£¬¸Õ½øÈë²ÔÆ´åµÄʱºò£¬ÎÒ²ïÒìµØ·¢ÏÖÕâÀïÆäʵ¾ÍÊÇÒ»¸ö¡°´åÕ¯¡±£¬»·ÈƵÄկǽ£¬²»¿¿É½Ò²²»ÁÙË®£¬Çï»ÆµÄÌïÒ°±»¸ôÔÚÁËկǽ֮Í⣬ǽÀïǽÍâ×ÔÊÇ·ç¾°Á½Ñù¡£ÔÚÕâÀï²ÅÕæÕýÄܹ»¸ÐÊܵ½¸û¶ÁÓëÅ©¿Ñ´åÂä×î´óµÄÇø±ð£¬ËƺõËûÃǵÄÉú»îÖУ¬Å©×÷ÒѾ´ÓÖ÷Á÷½ÇÉ«ÖеÒþ£¬Õ¯Ãźó²ÅÊÇÕæÕý³ÐÔØ×ÅËûÃÇÃÎÏëµÄç×ç¹Éú»î¡£ ¸úéªÏª½¾°ÇøµÄµ±µØÈË´ò½»µÀ×îÓÐÒâ˼µÄµØ·½¾ÍÊÇ¿´ËûÃÇ´¿ÆÓ¶øÐßɬµÄÑÛÉñ¡£ÓÎÈË´øÀ´µÄ³å»÷£¬ÈÃËûÃÇÀ½üÁËÓëÍâÃæÊÀ½çµÄ¾àÀ룬Ïë׬ǮȴÓÖÄÑÒÔÑڲعÇ×ÓÀïµÄ´¿ÆÓ¡£ µÚÒ»¸ö¸úÎÒÃÇ´ò½»µÀµÄÊÇÑÒÍ·µÄÒ»¸öÈýÂÖ³µ·ò£¬ÓÉÓÚûͷûÄÔµØÏëÕÒÂùݣ¬ÎÒÃÇÖ»ºÃ½ÐÉÏÈýÂÖ³µ£¬°ÑÎÒÃÇ´óÖµÄÒªÇó¸úËû˵ÁËÒ»±é£¬È»ºóÓÉËû´ø×ÅÎÒÃÇÔÚÕòÉÏËÄ´¦¶µÑ°£¬Ò»Â·´ÓÕòÖÐÐĵشøÒ»Ö±¿´µ½ÁËÕòÍâ 2 ¡¢ 3 ¹«ÀïÔ¶µÄµØ·½£¬Ò»Â·ÉÏËûÒ²²»ÒÅÓàÁ¦µØÏòÎÒÃÇÍƼö¸úÌáÐÑ£¬×îºóÖÕÓÚ¶¨ÏÂÀ´£¬µÈµ½ÎÒÃÇÊÕÊ°Í×µ±ºóÓÖ¼ÌÐø´ø×ÅÎÒÃÇÈ¥ÁËÀëÕò²»Ô¶µÄ²ÔÆ´å¸úܽÈش壬µ¼¾¹À¼ÆûÉõôÉúÒâµÄÔµ¹Ê£¬Ëûһ·´ø×ÅÎÒÃÇ£¬ÎÒÃÇÓÎÍæµÄʱºòËû¾ÍÔÚÒ»ÅԵȴý£¬¼¸ºõ³ÉÁËÎÒÃǵİü³µ£¬×îºó¸øËûÇ®µÄʱºò£¬»òÐíËû¾õµÃ¸øµÃÌ«¶à£¬ÏëÄÃÓÖ²»ºÃÒâ˼£¬×îºóÐßɬµØĦêý×Å´Ó°üÀïÄÃÁËÁ½¿éÇ®ÕÒ¸øÎÒÃÇ£¬ÎÒÃÇЦЦ»¹¸øÁËËû¡£ÀàËƵÄÇé¾°²»Ö¹Ò»´ÎµØÔÚÂÃ;Öз¢Éú£¬»òÕßÊÇËûÃǸû¶ÁµÄ´«Í³Ê¹µÃËûÃǹÇ×ÓÀï¾ÍÉîÂñÏÂÁËÕâµãÉÆÁ¼¡£ËäȻҲÓо«Ã÷¼éа֮ÈËËæʱ׼±¸´ÓÄãµÄÇ®°üÀïÀÌÇ®£¬µ«ÊÇÖÁÉÙËûÃDz»Õ¼¶àÊý£¬µ«Ô¸ÕâµãÐÒÔ˲»ÒªÔçÔçµØ´ÓÕâƬÍÁµØÉÏÏûʧ´ù¾¡¡£ µÚ¶þÌìµÄÐгÌÊÇÕâÌËÂóÌÖÐ×îÑøÑÛµÄÒ»¶Î£¬ËäÈ»ÊÇ¿ÝË®¼¾£¬Ê¯Î¦ÑÒÒÀÈ»ÑÚÊβ»×¡×Ô¼ºµÄÃÀÀö£¬Â̵üûµ×µÄϪÁ÷ãü̶ÈÃÎÒÎóÒÔΪµ½ÁË´¨Î÷¡£ÂýÂýÓÆÓÆÓÎÍê³öÀ´ÒÑÊÇ°ëÌìʱ¼ä¹ýÈ¥£¬³ö¿Ú´¦³ýÁËÂÃÓÎÍÅ°ü³µºÍ˽¼Ò³µÍ⣬ûÓÐÒ»Á¾¹«¹²Æû³µ£¬Èý¸öÎÂÖÝҽѧԺµÄÅ®º¢×Ó¿àµÈÁËÒ»¸ö¶àСʱ¶¼Ã»µÈµ½³µ£¬ÐÒºÃÎÒÃǽøɽ֮ǰҪÁËÒ»¸öС»õ³µË¾»úµÄµç»°£¬ËýÃDzŲ»ÓüÌÐøµÈÏÂÈ¥¡£ ³öÀ´ºóÈ¥éªÏª½Æ¯Á÷£¬»¹ºÃûÓмÆËãºÃʱ¼ä£¬²ÅÈÃÎÒÃÇÄ¿¶ÃÁËéªÏª½µÄ»Æ»è¾°Ï󣬻ƻèÖÐƯÁ÷ÔÚéªÏª½É϶àÉÙÓеã¾øÊÀµÄζµÀ£¬Äºö°³Á³Á£¬³ýÁËË®Á÷ºÍ´¬·ò³Å¸ÝµÄÉùÒô£¬¼¸ºõÊÇûÓÐÉùÒôµÄÊÀ½ç£¬Ï¦ÑôÎ÷Ï£¬¾ëÄñ¹é³²£¬ÌÉÔÚÖñÅÅÉÏÍûԶɽ±³×Å»èºìµÄϦÑôÂýÂýÏÂ×¹£¬³ÇÊÐÕæʵµØÀëÎÒԶȥÁË ¡¡ ½ÓÏÂÀ´µÚÈýÌìµÄ´óÈôÑÒÐгÌÓÉÓÚ½üÒ»¸öÔÂûÓÐÏÂÓê¶ø±äµÃË÷È»ÎÞζ£¬É½ÀïµÄϪÁ÷ÆÙ²¼ÒòΪȱˮ¶øʧȥÁËÉñ²É£¬µ¹ÊÇÒ»¸ö½¨ÔÚɽÉϵÄС´åÕ¯ÈÃÎÒÃÇÓÐÁ˵ãÓÎÍêµÄÒâ˼£¬ÔÚÅ©¼Ò³ÔÍê·¹»ØÀ´ºóÒÑÊÇÌ«ÑôÏÂɽÁË¡£ µÚ¶þÌìÀ뿪µÄʱºò£¬éªÏª½ÖÕÓÚÓÀ´ÁËÒ»³¡À«±ð¶àÈÕµÄСÓ꣬ÎÒÃÇÔÚ΢ÓêÖÐÀëÈ¥£¬Ô¶É½ÁýÕÖÔÚ²ã²ãÎíö°±³ºó£¬Ìì±äµÃÒõÀäÁ˼¸·Ö£¬Æû³µÑØ׎°¶´©ÐУ¬ËÍ×ßÁËÎÒÃÇÕâÁ½¸ö²»ÆÚ¶øÀ´µÄ¹ý¿Í£¬ÔÙÀ´£¬²»ÖªÓÖÊǺεȹâÒõÁË ¡¡ ENO ·¢±íÓÚ 21:17 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(5) | ÒýÓÃTrackback(0) | ±à¼ 2004-10-18 23:13 ¡¶Ñ°Ò¼ǡ· -[ÐÐ×ß³ÇÊÐ] ºÃ³¤Ê±¼äûÓгöȥ͸͸ÆøÁË£¬»èÌìºÚµØµØ¹¤×÷ÁËÒ»¸ö¶àÔ£¬×ÜËã½»°¸ÁË£¬Ã÷Ì쿪ʼÐݼ٣¬É¹É¹Ì«Ñô¡£ È¥¿´ÁËͬѧ²ÎÓëµ¼µÄ¶àýÌåÎè¾ç¡¶Ñ°Ò¼ǡ·»ÃæÑÛ»¨çÔÂÒ£¬Ï²»¶µÚһĻ¡£Éú»î»¹ÊÇÕâ÷á¼òµ¥£¬µ«Ô¸¶àµã¿ìÀÖ£¡ ENO ·¢±íÓÚ 23:13 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(1) | ÒýÓÃTrackback(0) | ±à¼ 2004-08-04 22:33 ¹¤×÷£¬»¹ÊÇıɱÉú»î£¿ -[ÐÐ×ß³ÇÊÐ] ÔçÉϸÕÆ𴲾͸úBOSSÔڵ绰ÀïÕùÖ´ÁËÒ»·¬£¬Ò»ÌìµÄÐÄÇé÷öµÏÂÀ´¡£ ½üÀ´Ñ¹Á¦ºÜ´ó£¬ÊÖÉÏ»ýѹÁËÎÞÊýÎÞ·¨Íê³ÉµÄÈÎÎñ£¬ãÂ㶮¶®¿ªÊ¼¶Ô×Ô¼º²»Ã÷ËùÒÔ£¬³É¾ÍÒÖ»òÖ»Êǹ¤×÷¶ÔÎÒÀ´Ëµ½¥½¥Ê§È¥ÒâÒ壬ÓÖ»òÕßÕâÖ»ÊÇÒ»ÖÖÉú»î¡£ ÓÚÊÇ¿ªÊ¼·Ê飬ÓÚÊÇ¿ªÊ¼ÌÔCDÌýÒôÀÖ£¬ÓÚÊÇ¿ªÊ¼ÏëÒª×ö×Ô¼ºµÄÍøÒ³£¬ÓÚÊÇ...... ÓÚÊÇ·¢ÏÖ×Ô¼ºÓкܶàµÄÓÚÊÇ£¬ÓÖ»òÕßÖ»ÊÇÉú»î×ßµ½ÏÖÔÚ¿ªÊ¼ÏëÒªµÄÒ»ÖÖÊèÀë¡£µ±Ã÷ÌìÖ»ÊÇÓÖÒ»¸ö½ñÌìµÄʱºò£¬ÎÒµÄÉú»îÊÇ·ñÒѾ¿ªÊ¼****£¬Ð¡Ê±¡¢·ÖÃëÒѾºÁÎÞÒâÒ壬½«×Ô¼ºÅ×Èë¼Ð·ìÀï´©ÐУ¬µøµøײײ£¬¼ÌÐø±£³Ö¶Ëׯ£¿ ½«Éú»îıɱ£¬·ÅÖðƮҡ£¬È»ºóÁ÷ÀëʧËù...... ÊÔÌýÇëµã»÷ Ư²´µÄ¶ú¶ä Portishead were a simulacrum, their anchors sunk deep in sample culture with Beth Gibbons' torch singer stylings and Adrian Utley's soundtrack scrapings operating merely as tools in the sample yard. In its evocation of forgotten jazz, blues, film music, and hip-hop, Portishead's Dummy was the quintessence of "even better than the real thing", yet when the magic ceased on the band's eponymous sophomore album, it was ultimately due to their desire to be the real thing. On Portishead , the trio retained their hip-hop elements only in principle-- they played every sound themselves, pressed the results to dubplates, and then cut and looped them into backing tracks. In practice, Portishead had abandoned the sampler's art-- the recontextualization of sound and the creation of history from history-- and so, the thrill had gone. It's no coincidence that the best post- Dummy release from the Portishead camp remains DJ Andy Smith's eclectic mash-up, The Document . Beth Gibbons, one assumes, was never much into hip-hop. Hers, after all, was the bleeding heart at the center of it all, and her remarkable, tortured voice (equal parts Billie Holiday and Sandy Denny), remains capable of gravitas for any occasion. "Mysteries" opens Out of Season brilliantly, folk arpeggios plucking their way around Beth's gasps while a cadre of gospel singers in the background oooooh the record into being. "Tom the Model" takes that cue and runs with it, answering delicate folk verses with a nicely retro big-band soul chorus. Beth attacks the song with verve, and even the hint of self-pity in the lyric is kicked into touch by her defiance. If only the rest of Out of Season displayed that energy. Instead, we're quickly plunged into moodiness for the sake of moodiness, overwhelmed by Gibbons' frankly unpitiable obsession with her own misfortune. At their best, Portishead turned this kind of smoky cabaret blues into an invigorating showpiece. But replace crackling vinyl and subwoofer bass with somber piano and mournful cello, and all you're left with is... well, a pretty goddamn miserable woman who happens to have a great voice. That's "Show" for you, and for all its miserable pleading, it's as forgettable a song as Gibbons has ever crooned. "Romance" tries some moaning french horns on for size, and frankly looks ridiculous in them. Chrissakes, who suggested a 90-second french horn solo was a good idea? And again, if Gibbons' Billie Holiday routine was engaging in Portishead's hip-hop context-- reconstituted blues that fit their mix perfectly-- here it threatens to go a little pantomime. And now to the issue of Rustin Man: What is the deal with calling yourself Rustin Man? Are we supposed to let that slide? Turns out it's an alias for ex-Talk Talk bassist Paul Webb. Now, Talk Talk did some wonderful things-- Spirit of Eden and Laughing Stock both proved what can be achieved with emphasis on mood and atmosphere. Here, however, Webb allows Gibbons to dictate both, and it just doesn't work. Striking as her voice can be, she does little to prove that it has the emotive range to match its power. Elsewhere, "Resolve" is a pretty but inconsequential folk tune, and "Drake" and "Funny Time of Year" waltz their way in and out of the frame without forcing you to take much notice. Which leaves "Rustin Man" the song, a frustrating hint of what might have been. Its pure ambience (think Dot Allison's recent album, if produced by Tim Friese-Greene) sounds remarkably modern next to the trad fare that precedes it, and the warbling and sizzling of the synths forces Beth to be a little more active with her vocal-- she slips in and out of the mix, allowing atmosphere to build rather than overwhelming it with her moods. Sonically, of course, it's no less bleak than the rest of this album, and though it does bring in some much-needed excitement at the end, it's just not powerful enough to save the whole from its vanilla dejection. ENO ·¢±íÓÚ 22:33 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(4) | ÒýÓÃTrackback(0) | ±à¼ 2004-08-03 00:15 Denez Prigent -[ÐÐ×ß³ÇÊÐ] ÒòΪ¿´µ½·âÃæÉÏÓÐLisa GerrardµÄÃû×Ö£¬ÎÒºÁ²»ÓÌÔ¥ÂòÏÂÁËÕâÕÅCD£¬¶ÔÓÚר¼µÄÖ÷ÈËDenez PrigentÎÒ·´µ¹²¢²»ÊìϤ¡£ÔÚPIZZA HUT²ð¿ª°ü×°µÄʱºò£¬ÄÚҳģºýµÄÉÁÖÎüÒýסÁËÎÒ£¬Denez PrigentµÄÉùÒôÒ»ÏëÆðÎÒ¾ÍÖªµÀÕâÕÅCDÂò¸øÁË×Ô¼ºÒ»¸ö¾ªÏ²£¡°We are leaves of the same tree/We are all moved by the same wind.¡± ÊÔÌýÇëµã»÷£º Ư²´µÄ¶ú¶ä Good Breton music was, until the late 80s at least, a feature of my corner of town, since that part of the country is served by trains from Montparnasse and some of the streets around the large southern Paris station acquired Breton "settlers", bars, shops and clubs. Apart from the many cr¨ºperies still to be found today, most of that has disappeared in less than two decades. All honour, then, to Denez Prigent, a Breton musician from northern Finist¨¨re who first learnt a traditional and difficult a capella narrative style, known as gwerzio¨´, from his grandmother as a boy in the 1960s and has gone on to captivate people in Paris, the nation and recently, other parts of Europe, with some increasingly original and wonderful albums. Like his internationally renowned compatriot Alan Stivell (Fr., Eng. and Breton), Denez believes that Breton musical traditions are best upheld and maintained by reviving them with a leap across barriers and venturing into some bold juxtapositions and harmonies of style. His latest CD, Sarac'h' (Oct 2003, Barclay, Amazon Fr.), is proof that "he who dares -- sometimes -- wins". And, surprise, it's part of my ongoing exploration of the voices of women too. In this instance, those of Lisa Gerrard ('Immortal Memory' and ex-Dead Can Dance), Gaelic stunner Karen Matheson ... and Bulgaria's Yanka Rupkina as well as fellow Breton Louise Ebrei. This mixture works. Admirably and beautifully. And so does Prigent's call on musicians as diverse as Nabil Khalidi from Morocco, with his oud, or lute, Latif Khan playing Indian tabla drums and Marcel Aub¨¦ on both the guitar-like north African gembri and the Chinese violin in the accompaniments, alongside more customary instruments and some carefully dosed electronica. The recording is of spectacularly high quality and the CD's lavish presentation in little book form original. Some of the songs are on traditional, story-telling bardic themes, with unusual excursions -- 'La Gwerz de Kiev' on famine in Ukraine, 'Geotenn ar marz' on genetically modified crops -- and I've no idea what others are about, since not all the lyrics are translated and I don't understand Breton. In an interview I've just found at M La Music (Fr.), Denez explains: "...I only translated what can be translated, because not everything is, like rhyme and humour. It's pretty difficult to translate a gwerz into French." Not that it matters. Music is a language all its own. Though one French reviewer comments that if you have only just one album of Breton music, make it 'Sarac'h', I don't hear that myself. Breton it may be in origin and tradition, but the only possible pigeon-hole for this CD is "world music". It's that broad in its scope. "Sarac'h" apparently means the rustling of the breeze in leaves. And there's a Ridley Scott connection. Prigent features on the soundtrack of 'Black Hawk Down', while we have Lisa Gerrard and Hans Zimmer to thank for the score to 'Gladiator'. ENO ·¢±íÓÚ 00:15 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(1) | ÒýÓÃTrackback(0) | ±à¼ 2004-07-30 21:37 Ò»³¡´óÓêµÄ¼Åį -[ÐÐ×ß³ÇÊÐ] Õâ¸ö³ÇÊÐÿÌ춼ÓкܶàÈË˵×Ô¼ººÜ¼Åį£¬¾ÍºÃÏñÄã¸ÕºÈÁËÒ»±°×¿ªË®£¬ÄÃÆðÏÂÒ»±·¢ÏÖ»¹Êǰ׿ªË®Ò»Ñù£¬ÕâÖָоõÈÃÄãÏë×Ôɱ¡£ÕâÊÇ°²Å¬Á¦ÏëҪ˵·þÎÒÅãËýÈ¥¾Æ°ÉHighÒ»Ò¹µÄʱºòÓõÄ×îºóÒ»¾ä¶À°×£¬À×Éù½ôËæ¶øÖÁ£¬ÎÒ´ðÓ¦ÁËËý¡£ ¾Æ°ÉÀïÔïÈÈÄÑ¿°£¬ÎÒÒ»¸ù½ÓÒ»¸ùµØ³éÑÌ£¬°²Ò»Æ¿½ÓһƿµØºÈ¾Æ£¬ÎÒÃÇÏñÁ½¸ö»¥²»ÏàʶµÄÄ°ÉúÈË×øÔÚÒ»ÆðÃÆÍ·Íû×ÅÎè³ØÀïHighµÃÌì»èµØ°µµÄÈËȺ·¢´ô£¬Ò¹»òÐí¾Í¿ÉÒÔÊÇÈç´ËÈÈÄֵģ¬Ã»ÓÐÈËÈÏʶÄ㣬ÄãҲûÓбØҪװ×ÅÏñÊÇÀ´¹ÛĦµÄ£¬Ã¿¸öÈ˶¼ÔÚ¼áÈͲ»°ÎµØ¿ìÀÖ×Å¡£ °²µÚÈý´Î´ÓÏ´ÊÖ¼ä³öÀ´µÄʱºòÎÒ¿´µ½ÁËËýÑÛ½ÇûÄÜĨȥµÄÀáºÛ£¬Ïñ¸Õ½Ò¿ªµÄ¾ÉÉË°Ì£¬ÔÚÄÞºçÏÂìÚìÚÉú»Ô£¬ÓÚÊÇÎÒÆðÉí£¬·ö×ÅËý×ßÁ˳öÀ´¡£ °²ÔÚÈçË®µÄҹɫÀﺿßû´ó¿Þ£¬±©Óêײ»÷µØÃæ»÷ËéµÄË®»¨ÑÚ¸ÇÁ˾çÁҵIJü¶¶£¬ËýÔÚ±©ÓêÀï°ºÊ×ͦÐØ£¬ÏñÖ»³õÉÏÕ½³¡µÄ¹«¼¦£¬ÎÒ½ô½ôβËæÆäºó£¬¸ú²»Éϲ½·¥£¬¾Æ¾«µÄŨ¶ÈËƺõÔÚ±©ÓêµÄÏ´ÀñÖÐʧȥÁË×÷Óã¬ËýÍÏ×ÅÎÒÔÚÓêµØÀï¿ñ±¼¡£ È¥ËÀ°É£¡ Õâ´ÎÎÒÇåÎúµØÌýµ½ÁË°²µÄÉùÒô¡£ ÎÒÊÇKEN£¬ °²Î¨Ò»µÄÖ°Ô±£¬Ã»ÓÐÅ®ÅóÓÑ£¬Ò²Ã»ÓÐÄÐÅóÓÑ¡£5ÄêÇ°³öÌÓÀ´Õâ¸ö³ÇÊеÄʱºò£¬´óÓêÒ²ÊÇÈç½ñÍíÒ»°ãµÄÆ°Æã¬5ÄêµÄʱ¼ä¶ÔÎÒÀ´Ëµ³ÇÊлҰÜÒÀ¾É£¬¼ÅįµÄÖ»ÊÇ×Ô¼º¡£ ÎÒ³£³£×÷ÃΣ¬ÃÎÀﶼÊÇЩÆæ¹ÖµÄÄîÍ·£¬±ÈÈçÒ»¸öĪÃûÆäÃîµÄЦÈÝ£¬»òÕßһ˫ÓеãζȵÄÊÖ£¬»¹ÓоÍÊÇ£¬ÉÁ×ÅÆ߲ʵƹâµÄÄÞºçÕÐÅÆ¡¡°²´ÓÕâЩÆæ¹ÖµÄÃξ³Àï²Â³öÁËÎÒµÄÃØÃÜ£¬Ëû˵ÎÒºÍËýÒ»ÑùµÄ¼Åį¡£ °²Í»È»É²×¡½Å²½µÄʱºò£¬ÎÒ¿´µ½ÁËÆ߲ʵÄÕÐÅÆ£¬Á½¸öÄÐÈËÔÚÓêÎíÖÐÅÄ¿ÏàÊÓ£¬ÊªäõäõµÄ£¬ÑýÑÞ¶øÇÒ¹îÒì¡£ ҹɫ¿ìÒªÈÃÈË͸²»¹ýÆø¡£ °²Í»È»×ªÉí±§×¡ÁËÎÒ£¬Ä¦êý×ÅÁ³¼ÕÒ»Õó¿ñÎÇ£¬ÎÒľȻµØ×¢ÊÓ×ÅÓêÖÐÄÇÁ½¸öÄÐÈË£¬°²·ßŵĴ½²¢Ã»ÓÐÒýÆðÎÒÈκεÄÉúÀí·´Ó¦¡£ÎÒÖ»ÊÇ×¢ÊÓ×ÅËûÃÇ£¬ÃæÎÞ±íÇ飬ÒÔÖÁÓÚ°²Ë¦¿ªÎÒ³å¹ýÈ¥µÄʱºò£¬ÎÒÈÔȻûÓÐÀ´µÃ¼°·´Ó¦¡£ ÎÒÄ¿¶ÃÁË°²½«Ò»°Ñ·æÀûµÄØ°Êײå½øÆäÖÐÒ»¸öÄÐÈËÉíÌåµÄÈ«¹ý³Ì£¬Ö»ÊÇÕ£ÑÛÖ®¼ä£¬Ëûµ¹ÔÚÁË´óÓêµÄÒ¹ÀÏÊѪȾºìÁË°²×ì½ÇµÄЦÈÝ£¬ËýÔÚÀ×ÉùÖзÅËÁµØЦÁË¡£ ÁíÍâÄǸöÄÐÈ˾ÍÊÇÕâʱºò½«°²ÍÆÉÏÁË·ÖÐÑ룬һÕó´Ì¶úµÄɲ³µÉùÔÚÆ߲ʵĵƹâÀïºäÏì¹ýºó£¬ËûÃÇÒ»¿é·ÉÆ𣬰²ÔÚ¿ÕÖнô½ôµØ±§×ÅÄǸöÄÐÈË£¬ÂäµØµÄʱºòҲûËÉ¿ª¡£ ÎÒºöÈ»ÏëÆðÁË°²ÔÚÏ°àÇ°¶ÔÎÒ˵µÄÄÇ·¬»°£¬Ëý˵Õâ¸ö³ÇÊÐÆäʵºÜ¶àÈ˶¼ºÜ¼Åį¡¡ ENO ·¢±íÓÚ 21:37 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(4) | ÒýÓÃTrackback(0) | ±à¼ : [1] [2] [3] [4] [5] [6]