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来源: BlogBus 原始链接: http://www.blogbus.com:80/blogbus/blog/index.php?blogid=15551&pg=8&cat= 存档链接: https://web.archive.org/web/20041124025741id_/http://www.blogbus.com:80/blogbus/blog/index.php?blogid=15551&pg=8&cat=

ɶÄàĞ¡½Ö From Thanet Street Â׶ضÁÊé·¢´ô×ß·Ğĵü¯ / Ê×Ò³ / Ã÷ÔÂÒ»·½(18) / ¹ÊÖ½Ò»¶Ñ(61) / ËöÊÂÒ»ÍÅ(42) / °ËØÔÒ»Âá(38) / èóÌì¼Ç(10) / Ö÷ÌåÖ®¼ä/»¥ÎÄÖ®ÀÖ intersubjectivity/intertexuality(28) / ¾ÉÔ¼Ò»Ò¶(6) / ·ÖÒ³: µÚÒ»Ò³ [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] ×îºóÒ³ 2004-07-19 00:43 ÕÔ°ëݶµÄĞÜ豦±¦ÔÚÂ×¶Ø -[°ËØÔÒ»Âá] 7ÔÂ12ÈÕ-10ÔÂ11ÈÕ£¬ôæôæÕÔ¹«×Ó°ëݶºÍËûµÄĞÜ豦±¦ÔÚµØÌúPiccadilly Circus³öû¡£ ÏÂͼ£º×òÌìÔÚGreen Parkվת³µËù¼ûº£±¨¡£ tiantian ·¢±íÓÚ 00:43 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(0) | ÒıÓÃTrackback(0) | ±à¼­ 2004-07-19 00:32 ¹ã¸æÖеÄÈË¿´×ÅÎÒÃÇ -[Ã÷ÔÂÒ»·½] tiantian ·¢±íÓÚ 00:32 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(2) | ÒıÓÃTrackback(0) | ±à¼­ 2004-07-17 07:37 º½ÏßÒÔÏ -[Ã÷ÔÂÒ»·½] ¼Öµº£¨799-843£© Ğ´¹ı£¬¡°Äñ¹éɳÓм££¬·«¹ıÀËÎŞºÛ¡±£» Ì©¸ê¶û£¨1861-1941£© ˵£¬¡°Ìì¿ÕûÓгá°òµÄºÛ¼££¬¶øÎÒÒѷɹı¡±£¨"I leave no trace of wings in the air, but I am glad I have had my flight."£©¡£ ´ÓÀ¶¶ÕËÀºúͬ³öÃÅÉÏѧ£¬Ò»Ö±×ßµ½euston»ğ³µÕ¾£¬¶¼ÔÚº½Ïß֮ϡ£ ÌìÉÏÓĞÎŞÊıµÄÑÛ¾¦¡£ ÌìÉÏÓжàÉÙÌúÄñ·É¹ı£¬ ÎÒ»¹ ´ôÔÚÔ­µØ ¡£ 02ÄêÔÚϤÄᣬһλÇ廪ѧ³¤½²ÆğÒ»¼şÆÀͼÍùÊ£º¡°ÄãÕâ×ÜƽÃæΪʲôÕÛÌÚµÃÄÇôºÃ¿´£¿ÕâĞ¡ÇøÓÖ²»ÔÚº½Ïß֮ϡ£¡±µ±Ê±Ğ¦µ¹¡£ update: 6ÔµÄÍ¿Ñ» tiantian ·¢±íÓÚ 07:37 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(8) | ÒıÓÃTrackback(0) | ±à¼­ 2004-07-17 01:03 ÌØÀ­·¨¼Ó¹ã³¡µÄÏ´ÊÖ¼ä -[ËöÊÂÒ»ÍÅ] ÌØÀ­·¨¼Ó¹ã³¡03Äê¸ÄÔìÍê±Ï,ÄÇ¿Õ×ŵĵÚËĸö»ù×ù»¹ÊÇ¿Õ×ŵÄ,¶àÁ˵ÄÊÇ4¶Î̤²½,Á½¸öÏ´Êּ䡣 Ï´Êּ䶼ÓĞ»»Äò²¼ÉèÊ©/¿Õ¼ä£¬ÄĞÓá¢Å®Ó㬸ÅĪÄÜÍâ¡£ÌùĞÄÓÖƽȨ£¬ÉõºÃ¡£ ½¨ÒéÖйú¡¶½¨ÖşÉè¼Æ×ÊÁϼ¯¡·ÊÕ¼´Ë¶ÔÏ´Êּ䣬²¢ÁĞΪÍƼöƽÃæ¡£ ÖйúµÄÂèÂèÃDz»ÊÇÖ»ÔÚ·É»úÉϲÅĞèÒª¸ø±¦±¦»»Äò²¼µÄ£»ÖйúµÄ°Ö°ÖÃÇÒ²²»ÊDz»»»Äò²¼µÄ¡£ tiantian ·¢±íÓÚ 01:03 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(2) | ÒıÓÃTrackback(0) | ±à¼­ 2004-07-15 23:34 ÂŞËØÏñÍùÊ -[¹ÊÖ½Ò»¶Ñ] ±¾µØ±¨Ö½¡¶¿µµÇб¨¡·£¨ Camden New Journal £¬¡°¿µµÇ¡±Ö®Ò룬ϰ×Ôά»ù°Ù¿ÆÖ® µÒ¸ü˹ ÌõÄ¿£©7ÔÂ1ÈÕ19°æ¿¯µÇ¶ÁÕßPeter CadoganÀ´ĞÅ£¬ÒÔµ±ÊÂÈËÉí·İϸ˵ºìʨ¹ã³¡ ÂŞËØ £¨1872-1970£©Ïñ£¨1980-10-29-£©Ö®À´ÁúÈ¥Âö¡£´Ó1980ÄêÂŞËضşÈηòÈË Dora £¨1894-1986£©Ö®¹Ê³ßÇéÉîÆğÒâËÜÏñ£¬µ½ËÄλͬ°éĞ­Á¦Âäʵ£¬¸üÑÔ¼°Âä³ÉÊıÄêÖ®ºó£¬ÀÏÅóÓÑ Fenner Brockway£¨1888-1988£© µÄÍ­ÏñÒàÓëÂŞËØÏñ×÷°é£¬Õ¾ÔÚÕâ¸öµ±Äê ¿ËÂ×Íş¶û £¨1599-1638£©½ÊĞÌ֮ǰµÄĞ¡í¬´¦¡¢²¢ ÍşÁ®¡¤ÄªÀï˹ £¨1834-1896£©Ôø¾­¹¤×÷µÄµØ·½¡£ ÌؼÈëÈ«ÎÄ£¬¹©Á¬ÔÀÏÈÉúµÈÒ»¹Û¡£ÔÚÏÂδ³¢Ì¤×ãºìʨ¹ã³¡£¬ÎŞ·¨ÌṩÏÖ״ͼƬ£¬ÉîÒÔΪº¶¡£ It was gratifying to see your picture of Betrand Russell's monument in Red Lion Square(Square's decline sparks probe, June 17). It occurs to me, as one of the people responsible for it, that its story should be told. If I don't tell it, it will never be told because the others are no longer with us. Dora Russell was the second of Russell's four wives. Despite the fact that he had divorced her to marry Peta (engaged to look after their children) she bore him no ill will - quite the contrary. In 1980 she rang me, concerned that Russell the great philosopher, had no monument in London and that something had to be done about it. I was then working in Red Lion Square in Conway Hall as the General Secretary of The South Place Ethical Society, which dates from 1793. I knew Dora since I had previously commissioned lectures by her for the Society. She told me that she was about to get on to Labour peer Fenner Brockway and, later philosopher Freddie Ayer - and would I help? I natually agreed and arranged a working lunch for all four of us in the library of Conway Hall. There we duly met, agreed to act and planned the future of the enterprise. Freddie said he knew a first class sculptor, Marcelle Quinton, an American married to Lord Quinton the Master of Trinity College, Oxford. He showed us a portfolio of her work, we liked what we saw and agreed to commission the work from her. I afreed to take on the hard graft, to raise funds and all the admin that went with it. Marcelle had to answer interesting questions. Russell had died at the age of 98. He had been photographed at every stage of his life - but at what age would she sculpt him? And what did the back of his head look like? She chose his mid-50s. Dora wrote the appeal and Freddie rewrote it. Camden Council immediately agreed to the site in the Red Lion Square and backed it with a donation of 500 pounds. For the plinth we ordered a slab of Portland stone, the best, and it cost the earth. We raised 6,000 pounds that met the costs exactly. It was one of those rare gratifying projects where all doors are open and there are no problems! On October 29, 1980, all four of us were present with the sculptor, her husband and the Mayor of Camden for the unveiling ceremony performed by Dora. Then I invited the whole company back to a convivial reception in the Library of the Conway Hall. Some years later Fenner's own spectacular statue graced the other end of Red Lion Square. So today the two men who together stood against the horrors and the wrongness of World War I, the nuclear bomb and American involvement in Vietnam are together in bronze in the square where William Morris worked and Oliver Cromwell's dishonoured body had its last resting place before being hanged at Tyburn. It is all most fitting. Peter Cadogan Greville Road NW6 tiantian ·¢±íÓÚ 23:34 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(4) | ÒıÓÃTrackback(0) | ±à¼­ 2004-07-14 04:39 ʲôÊÇ¡°ÃßÏØ¡± -[°ËØÔÒ»Âá] ĞíÁôɽ½«ÍøÖ¾Ãû×Ö´Ó"Í­»ª"¸ÄΪ "ÃßÏØ" ÁË¡£ еÄÌâ¼ÇÊÇ£ºÏÔÓ°²¢²»ÊÇÒ»¸ö½«ÊÂÎïÓÉÄ£ºı±äÇåÎúµÄ¹ı³Ì£¬Õâ¾ÍÊǹØÓÚÏÔÓ°µÄÃØÃÜ¡£ ×÷ΪĞíÁôɽÍøÖ¾¶ÁÕßȺÖеĴôÖÍÒ»Ô±£¬ÔÚÏÂÔ¸Òâ»ı¼«¼Ç¼¡°ĞíÖ¾¡±ÖîÈç´ËÀàµÄ±ä»¯£¬±ãÓÚÖîλͬºÃÈÕºóË÷Òı²Î¿¼¡£ tiantian ·¢±íÓÚ 04:39 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(10) | ÒıÓÃTrackback(0) | ±à¼­ 2004-07-14 04:08 ¼Ö¶ş¸£¿Â -[ËöÊÂÒ»ÍÅ] ÔÚ¼Ö¶şÊéµê¹º¶ùͯÊÊÒË£¨¹Ø¼ü²¿Î»ÓĞÎŞ»¨¹ûÒ¶×Óµ²×Å£©»æ±¾¸£¿ÂÒ»²á£¬ÇÔϲµÃ±ï²»×¡£¬Í¬Ï²Í¬Ï²¡£ Chris Horrocks and Zoran Jevtic. Introducing Foucault. Duxford: Icon Books, 1999. tiantian ·¢±íÓÚ 04:08 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(2) | ÒıÓÃTrackback(0) | ±à¼­ 2004-07-13 17:22 Á÷Ë®Ëü´ø×ß¹âÒõµÄ¹ÊÊ -[Ö÷ÌåÖ®¼ä/»¥ÎÄÖ®ÀÖ intersubjectivity/intertexuality] owen˵¼°ÊÅÕßÔÚÍøÖ¾ÉÏÁôϵĺۼ£²¢²»Ëæʱ¼äÁ÷ÊÅƯÒÆ £¬¶ø¹ÛÕßÕ¹¶ÁÕâÑù×÷ÕßËÀÍöµÄÍøÖ¾£¬ÍêÈ«ÈçÃæ¹ÊÈË¡£ ¡°ºóÖ®ÊÓ½ñ£¬ÒàÓ̽ñÖ®ÊÓÎô¡£¡±¡°ºóÖ®ÀÀÕߣ¬ÒཫÓиĞÓÚ˹ÎÄ¡£¡±¡ª¡ª¡¶À¼Í¤¼¯Ğò¡·ÀïµÄ¾ä×Ó¾ÍÕâô±ÄÁ˳öÀ´¡£ÎÒ²»ÖªµÀ£¬ÄÇλԶ×ßµÄÍøÖ¾×÷Õßµ±Ê±ÊDz»Êǽ«Ëû·ÅϵÄƪƪÍøÖ¾ÊÓͬ¡°Ë¹ÎÄ¡±£¬ÁôÓÚÉúÕß׷˼¡£ owen½Ó×Å˵ÆğËûµÄÊé·¨Ğĵã¬À¼Í¤Ö®Ä½ ¡£×òÌìÏÂÎçÔÚ´óӢͼÊé¹İÓÖ¼û·ë³ĞËر¾À¼Í¤µÄ¸´Ó¡¼ş£¬·Ç³£ÏëÖØ»ØÁٳء£ÓñÀ¼Èï¡¢²ÜËع¦¡¢»³ËصÄĞ¡²İǧÎÄ£¬ÊÇÔ¶±È¿ÉÀÖ¸üÈÃÎÒ³Ò»³µÄĞÄñ«ËùÔÚ£¬µ±Ê±¾ö¾øµØ²»´øÀ´ÕæÊÇ·¢³Õ¡£ 1993Äê³õºÍĞ´×ÖµÄÀÏʦÅóÓÑÃÇÈ¥¹ıÀ¼ä¾Ö®Í¤¡£ÈËĞĞ°åÇÅ£¬ÇåÁ÷¼¤ÍÄ£¬µ±Ê±µÄÈÕ¹âôèÓ°£¬ÀúÀúÔÚÄ¿¡£ÕâĞ©¡°ÎîÑÔÒ»ÊÒ¡±µÄÅóÓÑÃÇ£¬ÏÖÔÚ¶¼»¹ºÃô£¬»¹Ğ´×Öô£¿ ÁÙ¹ıÀ¼Í¤£¬µ±Ê±¾õµÃÌ«ÈİÒ×ÁË£¬¼¼ÊõÉÏÁËÎŞÌôÕ½£¨±È²»µÃÁĞλÆäºóµÄ¡¶¼ÀÖ¶¡·£©£¬×Ë̬ÓÖ̫ƯÁÁÁË£¨ÔÚÏÂ×ÔÓ×±»½Ìµ¼È¥Àí½âʲô¡°ÎÂÈá¶Øºñ£¬ºÍƽ¼ò¾²¡±£©¡ª¡ªĞ´×ÅÊæ·şµÄµØ·½»¹ÊÇÓеģ¬Ò»ÊÇͨƪ²»³¤£¬ÒªÕÕ×ÅÔ­À´µÄÕ·¨×ߣ¬Í¨³£³ß´çµÄÖ½¾Í³É£»¶ş¾ÍÊÇÎÄÖĞûʲôƧ×Ö£¬Ê²Ã´·ÅÀËĞκ¡¡¢ÎîÑÔÒ»ÊÒ¡¢¹Å½ñ½ñÎô£¬ËµÖĞÁ˵±Ê±ÔÚѧУ¹¦¿ÎºÍÏ°×ÖÖ®ÀÖÖĞ·­¹öµÄÉÙÄêĞÄÊ£¬ÉîΪ¹²Ãù¡ª¡ªÁÙĞ´£¬ÓÚÊdzÉÁËÎŞÉùµÄËжÁ¡£ºáبÓÚ×÷ÕߺͶÁÕßÖ®¼ä1600¶àÄêµÄ¹âÒõ£¬Ù¿ºö¶İĞΡ£ ¶ÁÄÇĞ©·¨¹úÕÜѧµÄʱºò£¬Ò²Ò»´Î´ÎÏëµ½¶«½úÄê¼äµÄÍõĞ»È˼ҡ£Íõ¼ÒÉÙÒ¯ôËÖ®£¬¿ÉÊÇÒÔÊéĞ´µÖ¿¹ĞéÎŞ£¬»òÊÇÓÉÊéĞ´¶İÌÓ£¬±ÜÈë×Ô¼ºĞÄÁéµÄÌÒÔ´£¿ ÁÖÓïÌÃÓ¢ÒëµÄÀ¼Í¤¼¯Ğò £º£¨ÎÒ¶·µ¨¸ÄÁ˵㲻ÏóÓ¢ÎĵÄ×Ö¡££© ¡°ÓÀºÍ¾ÅÄ꣬ËêÔÚ¹ï³ó£¬Äº´ºÖ®³õ£¬»áÓÚ»á»üɽÒõÖ®À¼Í¤£¬ĞŞìùÊÂÒ²¡£¡± ¡°This is the ninth year of Yungho (AD353) Kueichou in cycle. We met in late spring at the Orchid Pavilion in Shanyin to celebrate the Water Festival.¡± ¡¡¡¡¡°ÈºÏͱÏÖÁ£¬ÉÙ³¤Ï̼¯¡£´ËµØÓгçɽ¾şÁ룬ïÁÖĞŞÖñ¡£ÓÖÓĞÇåÁ÷¼¤ÍÄ£¬Ó³´ø×óÓÒ£¬ÒıÒÔΪÁ÷õüÇúË®,ÁĞ×øÆä´Î¡£ËäÎŞË¿Öñ¹ÜÏÒ֮ʢ£¬Ò»õüÒ»Ó½£¬Òà×ãÒÔ³©ĞğÓÄÇé¡£ÊÇÈÕÒ²£¬ÌìÀÊÆøÇ壬»İ·çºÍ³©£»Ñö¹ÛÓîÖæÖ®´ó£¬¸©²ìÆ·Àà֮ʢ£¬ËùÒÔÓÎÄ¿³Ò»³£¬×ãÒÔ¼«ÊÓÌıÖ®Ó飬ĞÅ¿ÉÀÖÒ²¡£¡± ¡¡¡¡"All the scholar friends are gathered. and there is a goodly mixture of old and young. In the background lie high peaks and deep forests. while a clear, gurgling brook catches the light to the right and to the left. We then arrange ourselves, sitting on its bank, drinking in succession from the goblet as it floats down the stream. No music is provided, but with drinking and with song, our hearts are gay and at ease. It is a clear spring day with a mild, caressing breeze. The vast universe, throbbing with life, lies spread before us, entertaining the eye and pleasing the spirit and all the senses. It is perfect." ¡¡¡¡¡°·òÈËÖ®ÏàÓ룬¸©ÑöÒ»ÊÀ£¬»òÈ¡Ö±§£¬ÎîÑÔÒ»ÊÒÖ®ÄÚ£¬»òÒò¼ÄËùÍĞ£¬·ÅÀËĞκ¡Ö®Í⣬ËäÈ¡ÉáÍòÊ⣬¾²Ô겻ͬ£¬µ±ÆäĞÀÓÚËùÓö£¬ÔݵÃÓÚ¼º£¬¿ìÈ»×Ô×㣬²»ÖªÀÏÖ®½«ÖÁ£»¼°ÆäËùÖ®¼È¾ë£¬ÇéËæÊÂǨ£¬¸Ğ¿®ÏµÖ®ÒÓ¡£ÏòÖ®ËùĞÀ£¬¸©ÑöÖ®¼ä£¬¼ºÎª³Â¼££¬Ó̲»Äܲ»ÒÔÖ®ĞË»³£¬¿öĞŞ¶ÌË滯£¬ÖÕÆÚÓÚ¾¡¡£¹ÅÈËÔÆ£º¡®ËÀÉúÒà´óÒÓ¡¯¡£Æñ²»Í´ÔÕ£¡¡± ¡¡¡¡"Now when men come together, they let their thoughts travel to the present. Some enjoy a quiet conversation indoors and others paly about outdoors, occupied with what they love. The forms of amusement differ according to temperaments, but when each has found what he wants, he is happy and never feels old. Then as time passes on and one is tired of his pursuits, it seems that what fascinated him not so long ago has become a mere memory. What a thought! Besides, whether individually we live a long life or not, we all return to nothingness. The ancient regarded death as the great question. Is it not sad to think of it ?" ¡¡¡¡¡°Ã¿ÀÀÎôÈËĞ˸ĞÖ®ÓÉ£¬ÈôºÏÒ»Æõ£¬Î´³¢²»ÁÙÎÄ൵¿£¬²»ÄÜÓ÷Ö®ÓÚ»³¡£¹ÌÖªÒ»ËÀÉúΪĞéµ®£¬ÆëÅíéäΪÍı×÷£»ºóÖ®ÊÓ½ñ£¬ÒàÓ̽ñÖ®ÊÓÎô£¬±¯·ò¡£¹ÊÁĞĞğʱÈË£¬Â¼ÆäËùÊö£¬ËäÊÀÊâÊÂÒ죬ËùÒÔĞË»³£¬ÆäÖÂÒ»Ò²¡£ºóÖ®ÀÀÕߣ¬ÒཫÓиĞÓÚ˹ÎÄ¡£¡± ¡¡¡¡"I often thought that the people of the past lived and felt exactly as we of today. Whenever I read their writing, I felt this way and was seized with its pathos. It is cool comfort to say that life and death are different phases of the same thing and that a long span of life or a short one does not matter. Alas! The people of the furture will look upon us as we look upon those who have gone before us. Hence I have recorded here those present and what they said. Ages may pass and times may change, but the human sentiments will be the same; I know that future readers who set their eyes upon these words will be affected in the same way." tiantian ·¢±íÓÚ 17:22 | ÔĶÁÈ«ÎÄ | ÆÀÂÛ(4) | ÒıÓÃTrackback(0) | ±à¼­ 2004-07-10 03:19 ÀÖ¸ßĞ¡¿é -[ËöÊÂÒ»ÍÅ] 20¶àÄêÇ°,¹Ã¹ÃÃÀ¹úÁôѧ¹éÀ´,Ò»ÏäÀָߣ¨ lego £©ÃÀÁËÎÒºÍĞ¡¸çÓиöÊ®Äê°É£¬ºóÀ´ÎÒÃǵÄÖ¶×Ó/ÍâÉû½Ó×ÅÍ桪¡ªÀÖ¸ßÊDz»±ãÒ˵ģ¬µ«ÊÇÍæ²»»µµÄ£¬ËùÒÔÊÇ¿ÉÒÔ×ö´«¼Ò±¦d¡£ ʦĞÖÔµ×È¥ÉϺ££¬ÎÒÏë¸øĞ¡ÅóÓÑ´øµãÀñÎï¡£×òÌìÈ¥ÉãÕş½Ö¡°ÖøÃûÍæ¾ßµê¡± Hamleys ¸øĞ¡ÅóÓÑÂòÀָߡ£Ò°ĞÄÊÇÔÚ»ù±¾Ì×£¬ ʲô1000¿éµÄÄÇÖÖ £¬½á¹ûÒ»¿´£¬170¿éµÄ¶¼ÊÇÒ»´óºĞ×Ó£¬ÀͼİʦĞÖÌ«¹ı·Ö¡£ÓÚÊÇת¶ø¸øËıÌô»ù±¾Ì×ûÓеÄÒìĞÎÒìÉ«²¿¼ş,×ÔÑ¡²¿¼ş×°´ü¡£É̵êÌṩÁ½¸ö¹æ¸ñµÄĞ¡ËÜÁÏ´ü£¬´óºÅµÄÎÒ¿´×Ŷ¼Õæ½ĞĞ¡£¬ºŞ²»ÄÜ´ø¸öµç´µ·çÀ´°ÑÖ¸¶¨ËÜÁÏ¿Ú´ü´µ´µ´ó¡£ ±Ï¾¹¹ıÁË20¶àÄ꣬ÀÖ¸ßĞ¡¿éÑÕÉ«Ò²ÓĞÀ©Õ¹£¬ÏÖÔÚµÄÑÕɫϵÁĞ¿ÉÒÔºÍH&M¡¢MNG¡¢ZaraÕâÑùµÄÒ·şÑÕɫϵÁĞÒ»±È¡£µ±ÄêºÃÏóÊǺì»ÆÀ¶Â̺ڰ׻ң¬ÔÙ¼ÓºìÂÌÀ¶µÄ°ë͸Ã÷¿é¡£°´ÎҵļÇÒäÉ«Æ×£¬ÏÖÔÚ¶àÁË»ÆÂÌ¡¢À¶ÂÌ¡¢ÌìÀ¶¡¢×ÏÂŞÀ¼ºÍ·Ûºì£»»ù±¾Ì×ÀﻹÊÇûÓĞÕâĞ©ÑÕÉ«¡£Ê²Ã´Ê±ºò³öµã³ÈÉ«µÄ¡¢×ØÉ«µÄ£¬»¹ÊÇÒѾ­ÓĞÁË£¬Ö»ÊÇû·ÅÔÚ×ÔÑ¡ºĞ×ÓÀ 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A public intellectual must have a blog, for the blog make him public. 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