vivi的电影生活

来源: BlogBus 原始链接: http://www.blogbus.com:80/blogbus/blog/archive.php?id=2636 存档链接: https://web.archive.org/web/20041011061813id_/http://www.blogbus.com:80/blogbus/blog/archive.php?id=2636

vivi的电影生活 2004/01/10 到 2004/02/26 二十四帧每秒…… 一地鲜花

2004-02-26 16:20 在爱情里的人。是没有自尊的。管你多坚强的人物。爱了。便没有理由可讲。没有骄傲可言。 于是就有那把爱情当令箭的，造了各种形状漂亮的令箭，金银的，美玉的，珍珠镶嵌的，不过是为了用来指挥的时候，更有说服力。 只要对方一声令下，便是千山万水也赶了来，哪怕只是为他买上一瓶感冒药。 在自己的战场上，你是将军挥舞指挥刀，在别人的战场上，你不过来春的花泥。 只是纵然做上将军，也感觉不到快乐，却在当了炮灰春泥之前尝尽喜悦。 这是爱情的力量？还是人常说的：犯贱? 若两人提刀来到同一战场，逡逡巡巡，最后丢盔卸甲，两人在这战场上种一地鲜花，是怎样的美事？只是这样的，也太希罕了。 Post by viviblue @ 16:20 撑死了。

2004-02-26 13:17 Post by viviblue @ 13:17 大家来看书好了。。

2004-02-26 11:00 后世的人们说，李卫公之巧，天下无双，这当然是有所指的。从年轻时开始，他就发明了各种器具。比方说，他发明过开平方的机器，那东西是一个木头盒子，上面立了好几排木杆，密密麻麻，这一点像个烤羊肉串的机器。一侧上又有一根木头摇把，这一点又像个老式的留声机。你把右起第二根木杆按下去，就表示要开2的平方。转一下摇把，翘起一根木杆，表示2的平方根是1。摇两下，立起四根木杆，表示2的平方根是1.4。再摇一下，又立起一根木杆，表示2的平方根是1.41。千万不能摇第四下，否则那机器就会哗喇一下碎成碎片。这是因为这机器是糟朽的木片做的，假如是硬木做的，起码要到求出六位有效数字后才会垮。他曾经扛着这台机器到处跑，寻求资助，但是有钱的人说，我要知道平方根干什么？一些木匠，泥水匠倒有兴趣，因为不知道平方根盖房子的时候有困难，但是他们没有钱。直到老了之后，卫公才有机会把这发明做好了，把木杆换成了铁连枷，把摇把做到一丈长，由五六条大汉摇动，并且把机器做到小房子那么大，这回再怎么摇也不会垮掉，因为它结实无比。这个发明做好之后，立刻就被太宗皇帝买去了。这是因为在开平方的过程中，铁连枷挥得十分有力，不但打麦子绰绰有余，人挨一下子也受不了。而且摇出的全是无理数，谁也不知怎么躲。太宗皇帝管这机器叫卫公神机车，装备了部队，打死了好多人，有一些死在根号二下，有些死在根号三下。不管被根号几打死，都是脑浆迸裂。卫公还发明过救火的唧筒，打算卖给消防队。但是消防队长说，猴年马月也不失次火，用水桶也能对付。这个发明就此没卖出去，直到二十多年以后，才卖给了大唐皇帝。当然，卖了的唧筒是铣铸的，不喷水，而是喷出滚烫的大粪。 这东西既不能救火，也不能浇花，只能浇人。浇上以后就算侥幸没有死掉，也要一辈子臭不可闻。皇帝把它投入了成批生产，命名为卫公神机筒。假如老百姓上街闹事，就用屎来浇他们。卫公有过无数的发明，都是一辈子卖不出去，最后卖给了太宗。太宗把它们投入生产，冠以“神机”之名。现在我们一听到神机两个字，就把它和虐待狂划了等号，怎么也想不到消防和开平方。卫公年轻时，做梦都想卖发明来救穷，但是一样也卖不出去。等到他老了以后，这些发明倒全卖出了大价钱，但是这会儿他已经不缺钱了。 据我所知，李卫公年轻时只卖掉了一件发明，那是一架用手摇动的鼓风机，他把它卖给了邻居的饭馆，卖了二十块钱。做成了这个买卖之后，他高兴得要了命，以为从此自己有了正当的生计，不用再当流氓了。――在此之前，饭馆里都用人来吹火。每个灶眼都要雇五个人，手持吹火筒轮番上前。有些人干了一辈子，就再也用不着吹火筒。他们的嘴唇长了出来，好像鸭子，稍一用力就能形成个肉管子。谁知过了不到三天，人家就把被火烧糊了的鼓风机送了回来，不但让他把钱退回去，还想要他包赔几乎造成火灾的损失。其实卫公做的鼓风机再好使不过，只是不能倒过来摇。假如倒过来摇就不仅不能鼓风，反而要把灶膛里的火抽到鼓风机里，把木制的叶轮烧着。这个例子告诉我们的是，再好的发明到了蠢货手里也不能起作用。可惜的是这世界上的蠢货总是那么多。但是人没法子和蠢货争论。人家要他退钱，他就老老实实地说道：花完了，退不出了，然后就伸出额头来说道：打几下罢。他老拿额头来付帐，以致上面老是有三道以上的紫印子。不认识他的人总以为他像一些老婆子那样，喜欢把脑门子刮紫，并且以为这样做了以后百病不生，其实不是的。 有关这件事我们还可以补充说，这架鼓风机后来也卖了出去，还是卖给了大唐皇帝。 而大唐皇帝还是用它来打仗――在风向有利时，用它吹起石灰粉和研碎的稻糠，可以迷住敌人的眼睛。但皇帝的御厨房里依旧用人来吹火，而且那些吹火的人的嘴唇像融化了挂在半空的麦芽糖。 青铜时代之《红拂夜奔》[王小波] Post by viviblue @ 11:00 一切为了大选

2004-02-25 21:32 布什站稳立场了.呵呵. 对于同性恋结婚的问题,说实话,我没主张.... Post by viviblue @ 21:32 很累呀.

2004-02-25 17:50 改了名字叫都要记得别人的好. 倒是没有放过来想,那样一想就是:别人不好,所以才需要特地去记忆好的地方.呵呵. 上午4节课,中午睡觉居然过点,呵呵,我想我的确是有点累,或者还没习惯这样的谋生?下午3个会.全体大会,学文件大会,班主任大会,没有一个漏下的. 所有大会结束,还要和其他班主任去吵架,抢那几个可怜的名额.还要去谈前几天出的所谓的"事件". nnd,我比个中学老师还忙活. 不过总算也有好消息.只是离我太遥远啦.不说啦. 各自忙活去吧.没什么大不了的. 大家都在拿offer.^_^ Post by viviblue @ 17:50 百科全书

2004-02-23 23:50 维基百科全书 挺有意思的地方.长知识.而且有耐心的话,可以帮别人长知识. Post by viviblue @ 23:50 说到底还是自己可靠的

2004-02-22 21:35 蜜月还没过完就同床异梦了.呵呵. Post by viviblue @ 21:35 高罗佩

2004-02-22 15:53 传奇汉学家高罗佩 狄公形象 高罗佩 年纪大点的都看过吧，狄公案的电视剧。真是好看呀。经常就等中央台放，再放，再重放。。。印象最深的是，里面唐朝的美女，头上的发髻，居然是假发。那个美女施施然的把发髻戴在头上的情节，我到现在也不能忘记。因为那之前我一直在疑惑那么高耸入云的发髻是怎么弄出来的，哪有那么多头发呢？？还有一个案子，好像是和珍珠有关的，里面那串道具的珍珠真正的让我眼红。。。 高罗佩对中国的房中术还有研究，hoho，可惜没见过他那两本著作，想来很好玩儿吧。。 Post by viviblue @ 15:53 是不是真有心理周期这个东西？

2004-02-21 21:52 毫无道理毫无礼貌的得罪了qq和msn上所有的人。 差点把这里也关了。 哈，我真牛。 我去挽救自己的理智去了。。。大家晚安。 Post by viviblue @ 21:52 cat

2004-02-21 17:43 Post by viviblue @ 17:43 味道

2004-02-21 15:12 昨晚出门时候还是灯光灿烂，吃完饭回头看大街上已经是浓雾弥漫。铺天盖地呀。路灯都飘起来了。 夜里下雨了。早晨起来又是雾朦朦，出门回来居然出了太阳，现在居然是阴沉沉了。 总之整个天气就是湿漉漉的。 不过有我熟悉的春天的感觉。昨天在菜场，闻到湿乎乎的混合了油泥的地面和各种蔬菜鱼肉和人集中起来的味道。这种是小时候陪妈妈去菜场时候很熟悉的。说不得这样的味道闻多了人的气质也就不同了。 Post by viviblue @ 15:12 并蒂莲

2004-02-21 15:01 偶然在这个叫ppp的网站上面看到的。。嘻嘻。擅自引用。 所谓不可不信缘，大概就是这个样子的。 Post by viviblue @ 15:01 菜场

2004-02-20 11:14 菜场门口两人提着大堆的塑料袋对话： 我来买菜的。你那? 那位说：是啊我也来买菜的。 人们害怕安静和沉默，那是没有安全感的恐怖。 所以用语言来填补空白。 Post by viviblue @ 11:14 爸爸拍同里

2004-02-19 17:51 不许任何人批评我ps的水平。否则格杀勿论。 我家的成员是不是都很可爱啊。哈哈。反正我都喜欢。 小熊没眼睛，考拉从家乡来，姑妈给一对兔子，小怪物会哼叽，趴趴狗永远微笑，…… 还有拯救我眼睛的润洁。 Post by viviblue @ 17:51 国际政治学

2004-02-19 17:02 上课上的想睡觉。 想着，下次给他们放兄弟连好了，多好的国际政治教材啊，看美帝国主义是怎么样摧残他们的人民的，多蛮横呀， 看美帝国主义是怎么装备他们的军队。。真全那。 看他们训练，居然设计戏弄领导，简直不象话！ 看他们打仗，多没胆啊，受了伤就呼天抢地的，不打吗啡都不行。。 看他们在别人国家，哎呀，劫走了多少文明遗产啊，啊呀，那么多高级的葡萄酒，那么多银器，唉，用大袋子篓啊，过分！ 看他们，一点不优待俘虏，一气儿杀了那么多个！哪里有人道主义精神，太残忍！。。。 恩，学生看了肯定深受教育。就是10集多了点。 要是看完整部的话，我一定会变成戏弄领导的人。 Post by viviblue @ 17:02 电视台们

2004-02-17 16:28 http://ent.sina.com.cn/2004-01-08/0904272400.html http://ent.sina.com.cn/s/m/2004-02-17/0750304639.html 江苏的电视台们不甘寂寞啊。。 Post by viviblue @ 16:28 F***

2004-02-17 10:11 躲在英语里骂人的确是个好主意。 和躲在英语表达爱情，一样懦弱虚伪。 原来改名叫世事难预料很对，真tmd被我预料到了。 难预料的事情发生了。好的继续。 f一切笑里藏刀的人，f我对他们毫不吝惜的笑。 理想主义退出历史舞台，现实主义遍地横流。 Post by viviblue @ 10:11 我对自己的智商感到绝望

2004-02-16 23:07 研究了一晚上那两个囚徒，我都想吐了。 博弈论：生活中的策略大师 弄个灰蒙蒙的颜色给你。哼。 Post by viviblue @ 23:07 靠近

2004-02-16 21:46 世界如此宽。他唱情歌我还是喜欢的。 Post by viviblue @ 21:46 恋恋真言

2004-02-15 21:17 恋恋真言 词、曲：卢昌明 想 忘了他 所以决定爱上你 长久以来 我不知我自己有多傻 想 跟着你 可是一直梦见他 你的手温柔的碰触我 抚去我脸上的泪水 可是你 并不明白 我的哭泣是到底为了谁 而泪水不停的滑落 我已经无法解释无法言语 我的感动是完全因为你 爱上了你 所以决定忘记他 长久以来 我不知我自己有多傻 我跟着你 不再把你当作他的影子 从今而后 不必再作假 直到现在我发现你其实都了解 你的手温柔的碰触我 抚去我脸上的泪水 可是你 并不明白 我的哭泣是到底为了谁 而泪水不停的滑落 我已经无法解释无法言语 我的感动是完全因为你 你的手温柔的碰触我 抚去我脸上的泪水 可是你 并不明白 我的哭泣是到底为了谁 而泪水不停的滑落 我已经无法解释无法言语 我的感动是完全因为你 歌里唱的这件事，做的好是有情人终成眷属，做的不好是有缘无份擦肩而过终成陌路。不过现实里我见到的终归还是做的不好比较多一点。太多执着的人了，忘不了当初的一句话，忘不了曾经吃过的某种巧克力，忘不了曾经去过的地方，总之，一句话，失去的总归是最好的。得不到的总归是最好的。噫，好像是两句话。只不过是曾经沧海终究团聚的故事，只有在电影里面才会有，只有长篇的电视剧里面才会有。。。。。不过苏慧伦的歌是好听的。多甜。我们小时候就迷她了。呵呵。 Post by viviblue @ 21:17 Link to fate

2004-02-15 19:06 with love ，我最喜欢的日剧之一。 以前找了好久好久都没找到过。 记得那时候聊天说，找不到这曲子，那边过一会说，是不是这个？ 文件发过来一看，居然真的是。 现在听起来，还是一样的好听。 我觉得那剧，就像这字的颜色一样的感觉。 Post by viviblue @ 19:06 乐谱

2004-02-15 19:02 有好多乐谱的msn社群 于我是没有用的，不知道于别人是否有用。 Post by viviblue @ 19:02 耶稣受难记

2004-02-15 17:32 The Yellow Christ by Paul Gauguin 《耶稣受难记》 看网易的介绍好了。 编剧/导演： 梅尔・吉布森 Mel Gibson 主演：詹姆斯・卡维泽James Caviezel - 耶稣 莫妮卡・贝鲁奇 Monica Bellucci - 抹大拉 美娅・摩根斯坦Maia Morgenstern - 玛丽亚 卢卡・里奥奈洛Luca Lionello - 犹大 类型：剧情 级别：R级(暴力镜头) 发行：新市场影业公司Newmarket Film Group 映期：2004年2月25日 官方网站： ThePassionoftheChrist.com Post by viviblue @ 17:32 卫斯理的妈妈。。

2004-02-15 17:22 记得憨豆先生么？呵呵 这里好多好看的图。但是偶不好意思用。呵呵。 Post by viviblue @ 17:22 开学叻

2004-02-14 18:41 开学先开会. 我的幸福时光结束了. 从此以后,每天都要8点之前起床了. 从此以后,每天上网都不能玩儿了. 从此以后,每天要端坐在桌边备课了. 从此以后,要扮演老师这个光荣的角色了. 唉,要是每次有什么事情都是发mail给我而不是打电话给我多好呢?而且我们的领导总喜欢在8点之前打电话给我. 那天带着起床气和他说话,态度实在不好,但愿他忘记了吧.. 今天我拿到课本了.恩,不过后天我就要去上课了. 我是个不负责的老师. 啊,还有,今天是情人节.我安排学生们晚上开班会. 我是个不人道的老师,不是不能人道,不要误会.. Post by viviblue @ 18:41 第n次寄给我东西的人

2004-02-13 14:53 鲤鱼精给我寄了贵州的牛肉干， 还有一条的我星座的项链。 居然是粉红色的。留着夏天我戴吧。哈。 还有一直绿色的自动铅笔。这是我喜欢的。 握笔的感觉很好，但是对着白纸却写不出什么。 恩，这叫。欲辨已忘言。 或者叫做，反应迟钝记忆力衰退。 我们总喜欢玩着寄东西的游戏。有时候邮费比寄来的东西价值还高。最后一次我寄了一瓶冷水的香水，一个小手链，一件衣服，一个小盅，但是她没有收到，也没有退给我，我丢了邮局的单据，于是这箱东西不知道最终去了哪里。谁在享用它们呢？ 噫，我们丢失的东西太多了。岂止这些小小的玩意儿？ Post by viviblue @ 14:53 gloomy sunday

2004-02-12 23:21 专辑介绍 Post by viviblue @ 23:21 春日水仙。

2004-02-12 14:58 有点像大蒜。不好意思。 Post by viviblue @ 14:58 不好意思了

2004-02-10 17:48 现在根本没记什么电影的东西了。只是昨天车上看了一本新电影。封面是王菲斜瞥着眼儿，抱着黎明。杂志内页我看到从黎明正面拍过去的剧照，做两款这样的海报倒是蛮有意思的。 多么的像甜蜜蜜呀，两人脑袋斗着睡着……就着么背着身走进了那花花世界，……不过这个倒是两人拥抱着，看着对方的后面。。。 不知道有什么不同。我只是十分喜欢那个绿色。真的是很嫩的绿色。翠翠的。 还看了一堆欧洲片的导演。有意思。有意思。 Post by viviblue @ 17:48 十年

2004-02-09 22:54 陈奕迅 - 十年 作曲：陈小霞 填词：林夕 如果那两个字没有颤抖 我不会发现 我难受 怎么说出口 也不过是分手 如果对于明天没有要求 牵牵手就像旅游成千上万个门口 总有一个人要先走 怀抱既然不能逗留 何不在离开的时候一边享受 一边泪流 十年之前我不认识你 你不属于我我们还是一样 陪在一个陌生人左右走过渐渐熟悉的街头 十年之后我们是朋友 还可以问候只是那种温柔 再也找不到拥抱的理由 情人最后难免沦为朋友怀抱 既然不能逗留何不在离开的时候一边享受 一边泪流 十年之前我不认识你 你不属于我我们还是一样 陪在一个陌生人左右 走过渐渐熟悉的街头十年之后我们是朋友 还可以问候只是那种温柔 再也找不到拥抱的理由 情人最后难免沦为朋友 直到和你做了多年朋友 才明白我的眼泪不是为你而流 也为别人而流 Post by viviblue @ 22:54 回来了

2004-02-09 22:34 一张碟也没有买。听十年听了50遍不止吧，真有耐心。 买了相机。有点开心。30秒买了一件打折的棉袄，60秒买来一件毛衣，穿着回来了。 拍了好多照片。技术肯定是没有的，感情肯定是有的。好些都是早晨拍得，色彩暗淡。 晚上从micky房间出来回旅馆，发现手机不在身边，又折回去拿，那时候已经走到广元路门了，辛苦的又穿过操场到她那里找。结果没有，原来我忘在旅馆了。 看了电影，哈，声音大的我的座椅都震了。只花了10块。这是这次去第二幸运的事情。第一是什么，不说，嘿嘿。 我没想到这个季节的腊梅还茂盛的开着。是个意外。好的意外。我把她们带回来了。但是没带回来香味。 Post by viviblue @ 22:34 安全感

2004-02-06 15:36 我的电脑朝着窗子。我的椅子背对着房门。 我无法控制自己回头去看房门冲动。我不喜欢有我不能掌握的东西存在在我背后。或者说，我害怕。害怕被惊吓。 我找了一个闲置很久的旧音箱，用来听歌。效果不错：声音很响亮。。。。 玩过那个企鹅游戏的看这里 ^ 好消息：学校的网络已经通了，我可以用教育网了，……我的口水，好多资源。。。 Post by viviblue @ 15:36 留住我吧

2004-02-05 23:10 留住我吧 曲:太极 词:潘源良 编:太极 又听张国荣十号风球，他在唱粤语。 鄙视自己…… Post by viviblue @ 23:10 要去还债了

2004-02-05 14:53 欠了一屁股债。 得还上呀。不然走的不光彩。 顺便看场电影吧，欧想。 ・《特工少年》 2004-02-08

・《怒海争锋》 2004-02-08

・《飞鹰》 2004-02-08

・《对垒特工》 2004-02-08

・《花好月圆》 2004-02-08

・《钢琴家》 2004-02-08

・《我爱天上人间》 2004-02-08

哪个呢？怒海争锋吧。钢琴家也凑活呀。 我有好多计划呢。一个一个都要实现了。不留遗憾。不留。 Post by viviblue @ 14:53 Small flowers, big flowers

2004-02-04 22:50 The annual New Year's Eve "Red and White Song Contest" television show provided a clue, though. SMAP, perhaps Japan's most famous pop group, closed the show with last year's best-selling song, "Only One Flower in the World." The song was popular among antiwar demonstrators, but more than anything else it struck a chord here by asking, "Why do we want to be No. 1 when each of us is different?" Small flowers, big flowers, none of them are alike So it's O.K. not to be No. 1 Every one of them is the only one. http://www.nytimes.com/imagepages/2004/02/04/international/04LETT.ready.html 政论一样的文章这样的结尾了。。。 Post by viviblue @ 22:50 you belong to me

2004-02-04 22:00 但愿可以听。 听史瑞克的原声时候听到的，但是minilyric下载的歌词提示却是天生杀人狂里的。原来是一首两个电影都用的歌儿。翻出天生杀人狂的原声听听，不是一个人唱的。 只是一样的都很好听。好听。 Post by viviblue @ 22:00 网上读来的。

2004-02-04 21:49 Last time during the sars epidemic, when I joined the crowds who fled home for fear of the deadly disease, the books I borrowed were also expired. We were not allowed to go back until August, 3 months later. I had to pay more than 200 for the expiration. It was so unfair that the students had to pay for the faults the authority made. Had not been the school's cowardice to take responsibility of the students and let them to go back earlier when situations got better, it wouldn't have to be that way. They just tried every way to avoid taking responsibility. 孰是孰非且不论，让我想起很久以前的事情了。。 Post by viviblue @ 21:49 个人主页

2004-02-04 18:11 随便逛的时候发现一个个人主页。 有意思，许多歌不错。呵呵。虽然简陋了点。 进这里。 Post by viviblue @ 18:11 好看

2004-02-01 14:22 Pieter Bruegel the Elder's "Land of Cockaigne." Willem de Kooning's "Excavation." http://www.nytimes.com/ref/arts/design/01FINE.html?8hpib Post by viviblue @ 14:22 飞鹰

2004-01-31 21:53 一项惊人的发明，一个蠢洁的科学家，一个想统治世界的狂人，一个嬉皮笑脸的警察，一个身手惊人的侠女。 马楚成，比起他自己以前的《东京攻略》和《幻影特工》来，未必更好，甚至更差。 倒是里面的熊猫比较可爱。 Post by viviblue @ 21:53 Special interests

2004-01-31 18:31 "Special interests are the Darth Vader of contemporary politics," Darrell West, a professor of political science at Brown University, said. "Everybody loves to hate them. But politicians can't live without them, because they need money to get their message out. It's very much a love-hate relationship." Post by viviblue @ 18:31 The Hours Author Interview

2004-01-31 01:22 Author Michael Cunningham's life has been a wild ride over the last several years: his book, "The Hours," won not only the 1999 Pulitzer for Fiction, but a slew of Best Book of 1998 awards from The New York Times, Boston Globe, Los Angeles Times, Chicago Tribune, and Publishers Weekly. Then producer Scott Rudin came hunting for the movie rights, and two short years later, "The Hours" is a film led by the talented cast of Meryl Streep, Julianne Moore, and Nicole Kidman. Who would have thought that a book based on the lives of women in three different eras, all connected via a book, Virginia Woolf's "Mrs. Dalloway," would become a best-seller and this year's darling of the movie awards, winning two Golden Globes for Best Picture and Best Actress and generating a powerful dose of Oscar buzz? The film neatly cuts back and forth in time, showing profound connections among one day in the lives of the three women in different time periods and unique circumstances: writer Virginia Woolf (Nicole Kidman) fraught in 1923 with worries about her new novel, "Mrs. Dalloway," and dealing with her own sense of being boxed in by her depressions; reader Laura Brown (Julianne Moore), housewife and mother in post-WWII Los Angeles, befuddled by the life and marriage she walked into unknowingly; and modern-day book editor, Clarissa Vaughn (Meryl Streep), who lives out the day Woolf wrote for Clarissa Dalloway as she prepares for a party she's throwing for her friend, a poet now in the last stages of AIDS. While the famous actors bring new life to his characters, there would be no film without Michael Cunningham. He sat down with Lycos to discuss the movie, his growing audience, creating his characters, and how movie stars are the closest thing we've got to angels. Lycos: How much Woolf should the moviegoer read before going to see it? Michael Cunningham: It was important to me in the book and it feels important for me in the movie that it be entirely accessible to people who know nothing at all about Virginia Woolf and are not even entirely sure if she was a real person or just somebody Edward Albee made up. I don't think you need to know anything about Woolf in order to be able to understand her compulsion to create something beautiful, which is one of the things that I think makes the human species most interesting and most worth preserving. If extraterrestrials suddenly appear before us and say, "Give us one reason why we shouldn't destroy the earth," I would say, "We're trying to make something beautiful!" We fail more often than we succeed. I would love it if the point of the movie sparked enough interest in Virginia Woolf so that people went on to read her. Mrs. Dalloway is turning up in best seller lists already. Isn't that wild? How did you knit the three stories together? I read that you originally started out with just one story, the modern day Mrs. Dalloway, set in Chelsea in New York City. Right! It was a modern day gay man living in Chelsea, where I live, moving through a gay male society that is shockingly like the London society of Clarissa Dalloway in the 1920s. So it was going to be the story of a gay man of 52 giving a party, and having an epiphany similar to the one Clarissa Dalloway has at her own party. And after working on it for a while, I realized it just wasn't enough; it was a conceit. It was interesting to me but not enough to read or write a whole novel about. So I started trying it different ways, and at a certain point, it began to seem like it had to be a story about women. "Mrs. Dalloway" and Woolf's life were so deeply about being a woman in the world. When did you decide to add Woolf herself? When I thought it can't just be an update of "Mrs. Dalloway," I really thought, "Maybe I just have to discard this," but I wasn't quite ready to do that. So I played around with the idea that Woolf might be some sort of ghost haunting my attempts to rewrite "Mrs. Dalloway." I even tried it as the Mrs. Dalloway story on the right-hand pages and the Virginia Woolf story on the left-hand pages, so they kissed every time you turned the page, but that felt tricky and not sufficiently interesting either. It wasn't really until I added Laura Brown, the third character, that it snapped into place: there was a writer, a reader, and a fictional character. But that reader wasn't always a fictional character? Laura Brown was my mother. At an earlier stage in the book, I looked at it and thought, "OK, an invented day in the life of a real person, Virginia Woolf; an invented day in the life of an invented person, Mrs. Dalloway. What if there were a real day in the life of a real person? What if that person was my mother?" I called her by her name, Dorothy Cunningham, and wrote myself as her child, and tried to recreate from memory a day in her life with no artifice, with no narrative tricks, no restructuring. I tried that and understood very quickly that you can't remember accurately. It was fiction by definition, and without working it into a story, it was dull fiction. So my mother metamorphosed into Laura Brown, who is and is not my mother. Laura Brown wouldn't exist if my mother hadn't existed. But I realized that Laura also needed to be a fictional character, based very much in a real person. I think the quality in my mother that was most important to Laura Brown was the sense I had that she was a sort of amazon queen captured and imprisoned in a life that was simply too small for her. That was true of so many women of her generation and probably true of some women today. She was capable of so much more than keeping the house neat and making the meals. Secondly, she did have the kind of perfectionism that haunts Laura Brown. One of the things I came to understand in Laura Brown that I think is also true of my mother is that she was driven by some of the same impulses that drove Virginia Woolf: the desire to create something greater than a human being could possibly create. The only difference was one of them was trying to make a perfect cake and one of them was trying to write a great book. But if we remove that from the equation, it's the same impulse and they are equally entitled to their ecstasies and their despair. Meryl Streep stars in the movie, but she is also in your book a number of times! Can you tell us why she's in there? It's pure coincidence that Meryl ended up in the movie. The scene in the book where Clarissa is walking through SOHO and sees a movie being shot, comes from "Mrs. Dalloway" when Clarissa is out doing her errands and a royal carriage goes by with the curtains drawn. One gloved hand appears and everyone on the street is just dumbstruck: some apparition of greatness has gone by. They can't quite tell who it is, but an angel has passed through the streets. A movie star seemed simply like the nearest equivalent we've got, we who live blessedly free of a monarchy, to that sense of the human form exalted, the life made fabulous simply by who and what the person is. And how lucky you were getting her in your film. And also you have that little scene with Streep where she's coming at you down the New York street and there you are. Oh I know, I know! You know I had lines but I got cut! My scene was this; she says, "Are you coming to my party?" I say, "I am. I wouldn't miss it." Those are my lines. But I had two lines! Gone! Gone forever. (laughs) Maybe the DVD. The novelist's hopes to be an actor are dashed. Dashed! (laughing) I've only done this to break into the movies. What was it like to watch the actors take on the characters you created? Remarkable and strange. Before there was any talk of a movie, people would sometimes ask me what actors I would imagine playing these characters. And the only thing I could ever say is: I have such a clear idea of these characters that they'd have to play themselves. Who would play your mother in the film version of your mother's life? Well your mother would have to play your mother because no one else is like her! But since it did happen, how did it end up feeling to you? Oh, it felt great. It's as if someone you knew intimately had died, and you meet a stranger and understand from the way that person speaks and moves--and something ineffable--that there is a person you loved, reincarnated, back in another body. "Oh it's you," but in a completely different body. There's that sense of remove and deep recognition. Those actors felt that close for you? Yeah, the girls are great! The girls are amazing. Who was your audience for "The Hours"? It's been much bigger than the audience for either of the other books. I only know who the audience is judging from who comes to readings and who walks up to me. Maybe the best thing about the success of "The Hours" is the realization that there is this body of people out there who don't just want the same thing over and over again. Were you aware of wanting to broaden your audience? No, no, no. If anything, I thought--and this view was shared by my publisher--that "The Hours" was going to be my arty little book and sell maybe a few thousand copies, and march with whatever dignity it could muster to the remainders tables. Nobody looked at this book and said, "Here's your breakthrough hit." You just don't know about this sh*t. How about the audience for the film? Do you see that as being different than book? I think it's just bigger. Films are huge; books are tiny by comparison. One of the things I'm really aware of from seeing the book turned into a movie is that it's great to be involved in something like the movie that'll be seen by millions of people. On the other hand, a book that sells 500,000 copies is a huge hit. A movie that sells only 500,000 tickets is a complete failure. So you have a lot more latitude when writing a novel. You can push the envelope much farther. I've learned to love the smallness of literature. How is it writing your next novel, after winning the Pulitzer and, now, the film? Of course it's daunting. This book will be paid a certain attention that the other books simply weren't paid. One of my thoughts is, "Well now I will just disappoint people." We know how that works: If you've had a big success, people often turn against your next work. If you've really loved a book, or a movie for that matter, really loved it, what you want is that same book again, but as if you've never read it. And when you get something unfamiliar, you feel betrayed. But after I sat with that notion for a while, I decided that if the next book is the book everyone is going to hate, then I'm free to write whatever I want with the understanding that it turns out people will follow you to places that you weren't sure they would. Post by viviblue @ 01:22 再见最爱的人

2004-01-30 22:07 Post by viviblue @ 22:07 giant bullfrog

2004-01-30 13:30 When enough rain falls to moisten and split the cocoon, the bullfrog surfaces, usually once a year around November, to eat and mate. Suddenly it is transformed from the frog kingdom's version of a couch potato to a kung fu fighter. 真好玩儿。不过也蛮凄惨的。一年得见天日就那么几天。 原文 Post by viviblue @ 13:30 情人节礼物

2004-01-30 12:45 http://www.coach.com 真是好看呀。红色很纯正。 不过我依然sorry着。因为关了薇言耸听。 Post by viviblue @ 12:45 The Dreamers

2004-01-28 17:33 1968，法国，意大利，杜拉斯，共产党，情人，性，。。。 我脑子里面是这些东西。。。 Post by viviblue @ 17:33 女星萨拉-杰西卡-帕克踏上红地毯

2004-01-26 16:32 是不是特别眼熟。^_^。 Post by viviblue @ 16:32 big fish

2004-01-25 19:50 看到过这么灿烂的水仙花么？真好看。 我曾经见过这样漂亮的水仙，在静安公园里。 经常被这样的海报引诱了去看电影 很漂亮的红色呀。 中文片名：《大鱼》 英文片名：Big Fish 导　演：蒂姆-伯顿 Tim Burton 领衔主演： 艾伯特-菲尼--饰爱德华-布鲁姆 伊万-麦格雷戈--饰年轻时的爱德华 比利-克鲁德普--饰威尔 杰西卡-兰格--饰桑德拉 Post by viviblue @ 19:50 犬夜叉第100集告终

2004-01-17 16:31 100×20＝2000分钟。 我花了起码这么长的时间在看这个tv版的动画。但是现在我绝对不会傻到去收集剧场版，漫画，同人，周边。。。。。 还在播，现在起码出到140左右了吧。。 如果那样我就是17岁了，呵呵。 按照我那35岁的愿望，我的时间有限的很呢。。 Post by viviblue @ 16:31 大力士

2004-01-17 16:29 动画片《大力士》造型有趣 1997年暑假期间推出的第一部动画电影《大力士》(Hercules),角色造型颇为有趣。 海格力斯(Hercules)本来是希腊神话中的大力士，古罗马诗人奥维护特与古希腊编剧都曾经以其生平事迹，写成巨著，精彩纷呈，其中尤其以海格力斯完成十二件苦差事，引人入胜。 今日英语的a herculean task, 意思就是“艰巨的任务“；make herculean efforts,意思就是“作极大的努力“。 动画片《大力士》改编自希腊神话，讲述男主角海格力斯本是天神宙斯(Zeus)的儿子，婴儿时就被地狱魔王凯蒂斯(Hades)巧施毒计，降下凡间。少年时期的海格力斯已力大无穷，一心想做英雄，重返天界。后来他邂逅少女蜜(Mig) ，甘愿放弃天庭，双双生活于人间。 剧本的对话写得浅显流畅，干净利落，练听力的读者，可以由这类动画片开始循序渐进。以下为你们阐释的这段对白，是童年时的海格力斯为了查明自己的身世到庙里膜拜宙斯的神像。 海格力斯：Oh, mighty Zeus...（神通广大的宙斯...）please hear me and answer my prayer.请听我细诉，回应我的祷告。）I need to know...who am I ?Where do I belong?（我很想知道....我究竟是谁？我身属何处？） 《大力士》果然合家欢 动画片《大力士》的主角是希腊神话中的大英雄海格力斯(Hercules),这位天生神勇的英雄在西方国家家喻户晓。 上文说到被拐到凡间的海格力斯在庙里膜拜天神宙斯(Zeus)，希望查明自己的身世。现在介绍的这一段戏是讲述宙斯突然显灵。父子相认。对白写得相当风趣，谨默下来供大家研习： 宙斯：My boy.（我的孩子啊。）My little Her-cules.（我的小海格力斯。）What's the hurry?（为何急于想溜掉呢？）After all these years, this is the hello you give you father?（阔别这么多年，你就这样跟父亲打个照面就想走吗？） 海格力斯:Father?（父亲？） 宙斯: Didn't know you had a famous father, did you ? Surprise!?（你不知道你有个鼎鼎大名的父亲吗？惊奇吗！？）Look how you've grown.（看你哟，长得这么大了。）You have your fother's beautiful eyes. And my strong chin.（你有和你母亲一样漂亮的双眼，也有我那么坚挺的下巴。） 海格力斯：I don't understand.（我不大明白。）If you're my father....that makes me a...（你是我的父亲，那我岂不是....） 宙斯：A god.（是天神。） 和路迪士尼 遗爱在人间 一代卡通大师和路迪士尼先生(Mr Walt Disney)虽然作古多年，但却永留遗爱在人间。老先生当年笔下的灰姑娘(Cinderella)、白雪公主(Princess Snow White)、米奇老鼠(Mickey Mouse),陪伴着许多人成长。老先生创办的迪士尼乐园，也成为世界著名的旅游胜地。 美国迪士尼影片公司秉承老先生的遗志，多年来一直拍制主题健康、趣味浓郁的动画片。 我们现在继续研习《大力士》父子相认后的妙趣对白。 海格力斯：Why did you leave me on Earth? Didn't you want me ?（你们为什么把我留在凡间？你们不想要我吗？） 宙斯：Of course me did. Your mother and I loved you with all our hearts.（我们当然想要你，你妈妈和我都非常疼爱你。）But someone stole you from us and turned you mortal.（可是有人把你从我们那里偷去了，还把你变作了凡人。）And only gods can live on Mount Olympus.（只有天神才可以住在奥林匹斯山。） 海格力斯：And you can't do a thing?（连你都无能为力？） 宙斯：I can't ,Hercules. but you can.（我不行，海格力斯，但你却能够。） If you can prove youself a true hero no Earth, your godhood willbe restored.（只要你证明自己是凡间的真英雄，你就可以恢复天神的身份了。） 引用网址： http://www.translator.com.cn/content/garden/show.asp?Id=6795&kind=AF 今早起床之前看的一部电影，配音版本的。 所以听不到上面说的那些英文。里面有一贯的迪斯尼风格歌曲，不过都翻成中文来唱了，总觉的他们唱的不够投入。。 喜欢海格力斯的小飞马。洁白的，长翅膀的，忠实的，傻傻的，直觉的，宙斯用云作成的。 hoho，电影里面改编成了圆满的比神话更神话的慈爱父母的故事。。。 在西文，银河被称为“奶路”（Milky Way），它来源于希腊神话。在希腊神话中，宙斯是希腊众神庙里的主神，即众神之神。希拉是专司妇女和婚嫁之神，她既是宙斯的妹妹，又是宙斯的妻子，是众女神之神。希拉的奶汁是很神奇的，谁吮吸了她的奶汁，便会长生不老。宙斯不安分，暗地里又和有夫之妇爱克米那私通，生下了海格力斯。宙斯希望海格力斯将来能长生不老，偷偷地把海格力斯放在睡着的希拉身旁，让海格力斯吮吸希拉的奶汁，谁知海格力斯吮吸太猛，惊醒了希拉，她发现吃奶的不是自己的儿子，便把孩子推开，因用力太猛，奶汁直喷到了天上，便成了“奶路”。而海格力斯因为吃过希拉的奶汁，后来成了永生的大力神。 在西文，银河被称为“奶路”（Milky Way），它来源于希腊神话。在希腊神话中，宙斯是希腊众神庙里的主神，即众神之神。希拉是专司妇女和婚嫁之神，她既是宙斯的妹妹，又是宙斯的妻子，是众女神之神。希拉的奶汁是很神奇的，谁吮吸了她的奶汁，便会长生不老。宙斯不安分，暗地里又和有夫之妇爱克米那私通，生下了海格力斯。宙斯希望海格力斯将来能长生不老，偷偷地把海格力斯放在睡着的希拉身旁，让海格力斯吮吸希拉的奶汁，谁知海格力斯吮吸太猛，惊醒了希拉，她发现吃奶的不是自己的儿子，便把孩子推开，因用力太猛，奶汁直喷到了天上，便成了“奶路”。而海格力斯因为吃过希拉的奶汁，后来成了永生的大力神。 在西文，银河被称为“奶路”（Milky Way），它来源于希腊神话。在希腊神话中，宙斯是希腊众神庙里的主神，即众神之神。希拉是专司妇女和婚嫁之神，她既是宙斯的妹妹，又是宙斯的妻子，是众女神之神。希拉的奶汁是很神奇的，谁吮吸了她的奶汁，便会长生不老。宙斯不安分，暗地里又和有夫之妇爱克米那私通，生下了海格力斯。宙斯希望海格力斯将来能长生不老，偷偷地把海格力斯放在睡着的希拉身旁，让海格力斯吮吸希拉的奶汁，谁知海格力斯吮吸太猛，惊醒了希拉，她发现吃奶的不是自己的儿子，便把孩子推开，因用力太猛，奶汁直喷到了天上，便成了“奶路”。而海格力斯因为吃过希拉的奶汁，后来成了永生的大力神。 Post by viviblue @ 16:29 每天犬夜叉

2004-01-12 15:23 什么时候才能结束？可是就是全看完，也还没结束。 我发现我还是一个喜欢结果多过喜欢过程的人。 把家里剩下的莲子和白果都一锅煮了。吃点热的暖暖俺冰凉的心吧。 Post by viviblue @ 15:23